Sometimes things happen very mysteriously. No sooner had Stevedore Steve almost given up hope of saving enough money to produce a CD, a silent backer with ideas appeared. The man, David Cole, is a history buff with a special interest on New Brunswick. Inspired by Steve's recent cassettes, he commissioned Steve to write songs that would appear on a CD devoted to New Brunswick lore. The CD would be called New Brunswick Spirit, and it was his intention to release more than one volume after listening to the many Stevedore Steve songs that fit the bill.

Production was scheduled to take place near Saint John at the Epcom Communications Studio on the Kingston Peninsula. It would be produced by Gary Chase and feature a back-up band consisting of Earl Elliot and his sons, Bill and Mike from Truro, Nova Scotia, as well as Paul Du John, harmonica players Paul Naigle and Mike Boyer.

Meanwhile Steve made his second appearance at the Miramichi Folksong Festival, this year as a featured performer as opposed to 'invited guest' status of the last year. With Gerry Taylor and Douglas Hughes on side, a decent media backing produced various articles of Steve's musical activities. Good build up in New Brunswick media provided the right buzz which lead up to the October 6, 1995 album release date at Child's, a subterranean restaurant in Saint John.

When the CD was released it was well received and Stevedore Steve, once again, was much in demand. Now he had financial backing but had to learn to be managed. Cole set out to provide publicity, as much as he could get, and he controlled the distribution of the CDs he paid for. It was difficult for Steve to let total control slip from his hands but it was either that or no CD. With folk artists like Hal & Tow's Jim Stewart helping, David Cole seemed to be a positive gamble that could very likely pay off for Steve. Besides, Cole was committed to recording New Brunswick Spirit, Volume Two.

For over 10 years, Wayne Rostad has been travelling the land for his CBC-Television program On The Road Again. The program features three weekly segments about interesting people who usually go un-noticed. Instrument builders, lighthouse keepers, Inuit whip masters, aromatheropists, horticulturists, 'the man who plays the exploding fiddle', truck drivers who knit, are all featured on this program. In each segment Rostad is flown to the home town of his guest where they re-enact the story to be told. Somehow lightning struck for Steve Foote who was to be featured in March, 1996. The Country Music News, billed as Canada's Country Music Newspaper, featured Steve on the cover of the March, 1996 issue¹.

Stevedore Steve Foote, who plays a prominent role in Stompin' Tom's best-selling autobiography, Before The Fame, is remembered for his early career recordings including children's favourites like Lester the Lobster from PEI and Salamander Tug - now he's back on the scene with a new CD album called New Brunswick Spirit. Stompin Tom has given the new album his blessing so that should generate a little extra interest in the project.

The album, which features Stevedore Steve's songs about the people and places in his home province (he makes Norton his home base²) and it has attracted the attention of CBC's On The Road Again producers who plan to air a segment on Steve in March programming. Highlights from the album include tunes like No. 9 Cast Iron Fryin' Pan and Lumberjack From The Miramichi.

But things don't always turn out the way you want them to. David Cole experienced financial problems and couldn't get the CD distributed nationally. New Brunswick Spirit Volume Two never materialized. With Cole owning the rights to the CDs and unable to furnish a second run, Steve had nothing to sell. But most strikingly, radio play never really materialized. With the exception of the smaller, campus based stations, the chains (most radio stations in Canada are owned and operated by large conglomerates - radio formats are often programmed by US companies with CanCon thrown in from the more obvious successful Canadian recording stars) couldn't care less about a guy in his later 50s from Saint John, New Brunswick. He had his kick at the can. And anyways, none of them play folk music; few play real country songs; most of the country format is New Country played by younger performers. Stevedore Steve didn't really have a hope in hell of cracking the Canadian commercial radio market.

What really got him though was that he did receive airplay in Europe where his CD was sent. Europeans, especially Germans, love country music and find the Canadian maritimes exotic so Stevedore Steve was right up their alley. In fact, various songs from the CD made station charts, some in the top ten. But no radio play in Canada. No radio play in New Brunswick to speak of either. Why play New Brunswick songs to New Brunswickers when they could be listening to Shania Twain or Randy Travis? Stompin' Tom was right again.

In 30 years very little has changed in the commercial Canadian broadcasting industry. They still complain about the need to program 30% CanCon (recently upped to 35%); they still believe that if it's good enough it'll get played - if it isn't good enough, why should they have to play it. After 30 years of CRTC CanCon regulations, most stations still cheat and do as little as humanly possible to support an infrastructure of Canadian talent.

This, combined with the other obstacles, shot a dart through the heart of Stevedore Steve. In 1998 he realized that his career was going nowhere. In a 12 month period he had performed at over 30 engagements and less than 20% of them were paying gigs. He was asked to play benefits for everything imaginable and realized that without airplay support nothing was going to change that. So why bother? Why bother going through the motions of having a music career? Now over 60 there were other things he wanted to do with his time. His love of painting landscapes, for instance, carving and writing prose; or just reading.

In August of 1998 Steve was offered a job at the Saint John Museum in Market Square as a guide. He tried it out and it suited him to a tee. It was about history and the sea, about the city he lived in and loved. I had been taken all around old Saint John, walking the streets with Gini and Steve while he would point out the various buildings, old and new, and he knew almost every one of them and their history. As a guide he's a natural. It gave him challenges to learn about the new exhibits. He loves personal contact with people from all over hell's half-acre.

I visited with Steve and Gini in October, 1998, with my good friend Paul Lyon. Steve gave us a wonderful tour of the museum with the VIP treatment (we were allowed in for free). On the way up the stairs he stopped to speak to some people coming down:

"And if you don't mind me asking, where is it that you're from?"

"Texas," said the man with his Lyndon Johnson drawl.

"And which place, sir."

"Oh, just a small place; you've probably never heard of it."

But Steve not only knew the place but had been given a bed in the local jail - a place to sleep during his years as a hobo with Tom. The Texan's were truly amazed.

Steve was getting such a kick out of his job; people were saying the nicest things about him in the museum guest book, like 'best guide you could ever wish for' . So it was that he decided to retire from the music gig, this time without the emptiness and the bitterness; this time on his own volition, under his own terms. He simply lost the verve and energy required and realized that it was an uphill battle just to keep the ground he had already conquered. Gerry Taylor was devastated!

"I can't understand him. He's so good. One of the best. All that talent, going to waste."

For all his good intentions, Taylor is having a difficult time letting go. But for Steve it was the obvious way to go. He just wanted to keep the Stevedore thing in good steed. The idea of running it into the ground, playing silly gigs after having accomplished so much over so many years was difficult for him to face. Yes, he was extremely good and he knew it, and that's all that really matters to Gini and him.

It seemed so simple! Just call it quits and silently leave the scene and go do whatever it is you want to do. Don't become a slave to it. But others had a card still up their sleeves.

Gerry Taylor decided to speak with some friends in the New Brunswick music scene about an idea he had: a special tribute night for Stevedore Steve. This would be no small potatoes in Child's Restaurant; Gerry was talking the Imperial Theatre. This would be a gala event, with The Honourable Elsie Wayne, MP for Saint John, and the New Brunswick cabinet minster for Culture and other dignitaries like the Mayor; it would feature musicians; fiddling Ned Landry, fighting his way back from a stroke suffered earlier in the year, would play his fiddle and harmonica like he did with Don Messer back in the 30s.

On the 1st of November, 1998, the Imperial Theatre was filled. Steve and Gini were seated in a private box with Elsie Wayne and her husband and the New Brunswick cabinet minister and his wife. The performances were spectacular with glowing tributes singing the praises of Saint John's native son, Stevedore Steve Foote. Towards the end of the evening Steve and Gini were brought on-stage where she was presented with a bouquet of roses. Steve was handed a guitar and asked to play a song or two - two standing ovations later he was allowed to leave the stage.

I interviewed Steve on November 5, a live on-air telephone call to ask him about the tribute and he could barely contain himself. When he told us that they gave him two standing ovations, he was still basking in the glow. "And they gave Gini a bouquet or roses."

I had a dilemma on my hands: one friend retired from the business; another one dying of cancer and going fast. I gave out two lifetime achievement awards at the 1998 Porcupine Awards Show³: Canadian fiddle champion Graham Townsend who passed away the week before, and Stevedore Steve, now happily retired.

The last time I spoke with Stevedore Steve was on Boxing Day from Paul Lyon's place. It was there that I informed him about the Golden Porcupine Award for Lifetime Achievement. Although he has meant so much to me for the songs that I have grown up with for most of my life, I can only feel proud to have befriended such a man and such a woman as Steve and Gini Foote. I feel privileged to have shared so much with them, so much of it even before I met them.

Notes
1. Country Music News cover story, March 1996
2. This is a mistake. It is David Cole, the financial backer of the CD project, who lives in Norton (the Norton, NB address appears on the CD); Steve is a real Old Saint John resident)
3. The 1998 Porcupine Awards were presented on the 10th of December.