Old Native And Métis Fiddling in Manitoba, Vol 2, Falcon FP - 187

Éric Favreau & Mario Landry

Reel à 2, no label, no serial – 1998

Éric Favreau, violon, piano; Mario Landry, violon, alto (viola); Paul Marchand, guitare, pieds / guitar, feet; Réjean Brunet, piano, contrabasse; Pierre Chartrand, os / bones; Tess Le Blanc, tambour à mailloch / bodhran

Production: Éric Favreau; Traduction: Tess Le Blanc; Mastering: André Marchand; Enregistrement: Studio chez Mario, St-Charles-de-Drummondville, 1998

Tracks: Reel du vin de gadelle / Reel André Alain / Reel de la broue; Céduli / Capitaine du 22e regiment; 6/8 de Valcartier; William Gagnon; Galope à Eddie / Galope du Bardeau / Galope du brigadier; Reel James Allan / Le step à Kenneth Murphy / Le step à Léo; Reel à Yvon Mimeault / Reel à Hermas Réhel; La suite à Gustave; 6/8 du Petit Sarny / Le reel à deux; Grondeuses à Elzéard / Grondeuse à Wilfred / Grondeuse à Ti-ski; Reel du chat graffigné / Polka Carnival; Reels en vielle
 

Ça faisait déjàun petit bout de temps qu’on se connaisait et qu’on se rencontrait comme ça pour jouer ensemble ces airs du Québec qui nous enchantent. L’idée de faire cet enregistrement nous est venu tout simplement. Et pourquoi pas? Voilà! C’éetait parti pour un Reel à Deux.

La Musique que l’on retrouve sur cet album est essentiellement compose de pieces traditionnelles québécoises.

Le repertoire pour violon détient ses origins principaiement des Ilse Britanniques, mais l’imagination fertile des violoneux d’ici qui ont su récupérer et adapter cette Musique a permis à ce repertoire de se developer de manière toute particulière et distincte.

C’est dans cet acte de création constante que réside toute la vitalité et la beauté de cette musique. Nous espérons transmettre, à notre tour, une partie de cet héritage qui est le nôtre, que est le vôtre…

We had been meeting to play our favorite tunes for some time, hence came the idea of recording these tunes and Reel à Deux was born.

Although much of this repertoire came to us from the British Isles, the Quebec fiddlers learned and adapted these pieces using their imagination and intuition. This gives Quebec fiddle music its richness.

We hope to pass on some of our heritage, now your heritage.

1. Reel du vin de gadelle / Reel André Alain / Reel de la broue – Le premier reel a été appris de l’excellent violoneux Yvon Mimeault de Mont-Joli. Celui-ci possède un r épertoire et un style des plus animés, cet air provient de son répertoire familial. Le second nous vient d'André Alain de Saint-Basile-de-Portneuf. le dernier reel est un interprétation d'un air d'harmonica que jouait monsieur Luc Veilleux de Sherbrooke qui le détenait de son père. Monsieur Veilleux lui avait donné ce titre car lorsque son père jouait l'harmonica. Il arrivait qu'un peu de broue sorte de l'instrument.

This first reel, from the repertoire of fiddler Yvon Mimeault, features his incredible energy and dynamics. The second piece is from Saint-Basile-de-Portneuf fiddler, André Alain, followed by an interpretation of a harmonica tune, Reel de la broue (Froth Reel) played by Mr. Luc Veilleux from Sherbrooke. It is said that when his father played this on the harmonica froth foamed from the instrument.

2. Céduli / Capitaine du 22e regiment (L. Boudreault) - Deux compositions venant du célèbre violoneux Louis "Pitou" Boudreault de Chicoutimi. Monsieur Boudreault fut un personne trés importante dans l'histoire de la musique tradionnelle québécoise. Il savait captiver son entourage autant par sa qualité d'interprétation que ses talents de conteur.

Two compositions from the famous fiddler, Louis "Pitou" Boudreault of Chicoutimi. Mr. Boudreault, an important figure in the history of Quebec fiddle music, captivated audiences with his story telling as well as his music.

3. 6/8 de Valcartier - Ces deux 'jigs' proviennent du répertoire du violoneux Eric Corrigan de Valcartier situé au nord de la ville de Québec. Dans cette région, la plupart des pièces instrumentales sont issues de l'important héritage musical de la communauté irlandaise qui y prit racine au siècle dernier.

These two jigs, from the repertoire of Eric Corrigan, reflect the Irish influence of those who settled in the area of Shannon and Valcartier, north of Quebec City.

4. William Gagnon - Le violoneux William Gagnon de  au Lac St-Jean jaouait ce reel d'origine irlandaise. L'adaptation qu'il en avait fait nous témoigne de son ingéniosité.

This adaptation of an Irish reel is characteristic of this Joncquière fiddler, William Gagnon's ingenuity.

5. Galope à Eddie / Galope du Bardeau / Galope du brigadier - Voici trois galopes typiques de la région de Québec. La première nous vient du répertoire coloré du violoneux Eddie Whelan de Stoneham. Les deux sulvantes proviennent du répertoire du célèbre violoneux Jos Bouchard. Le style des galopes est for appréclé pour certaines parties de Quadrilles.

These three gallops are typically from the Quebec City region. The first is from Eddie Whelan of Stoneham, the other two come from well known fiddler Jos Bouchard. Gallops were used for certain parts of Quadrilles.

6. Reel James Allan / Le step à Kenneth Murphy / Le step à Léo - Trois reels composées par Éric, les deux premiers sont dédiés à deux excellent calleurs du Pavillion Lysander Falls à Inverness. Le dernier est pour son parrain Léo Fauteux qui était un gigeur excellent et un bon chanteur.

Three reels composed by Éric. The first two are dedicated to two terrific callers from the Lysander Falls Pavillion, Inverness. The last reel is for his uncle and godfather, Léo Fauteux, who was a step-dancer and singer.

7. Reel à Yvon Mimeault / Reel à Hermas Réhel - La Gaspésie est un région ou l'on retrouve des répertoires et des manières de jouer particuliers. L'influence de certains communautés immigrantes, particulièrement les Écossais et les Irlaindais, y est encore présente dans le style et le répertoire de plusieurs musiciens. Messieurs Mimeault et Réhel, qui nous ont légués ces pièces, sont deux violoneux exeptionnels qui ont justement hérité de ces influences.

The heritage of the Irish and Scottish who settled in the Gaspé region gives us a unique repertoire and playing style. Mr. Mimeault and Mr. Réhel, two fine Gaspesian fiddlers, garnered from these influences.

8. La suite à Gustave  - Cette suite de reels vient du violoneux gaspésien Gustave Denis qui a dévéloppé une manière de jouer absolument remarquable. Il a su donner à ces airs des tournures particulièrement qui, nous l'avouons, nous ont donné bien du fil à retarde.

Reels from Gustave Denis, a Gaspesian fiddler with remarkable style.

9. 6/8 du Petit Sarny / Le reel à deux - Deux airs qu'Éric composés, le premier est dédié à deux trés bons amis: Tracy Pettit et Dominique Sarny. Éric a composé la seconde pièce pour son oncle Ronald Cotnoir, violoneux à l'ésprit créateur qui l'a beaucoup influencé. Les violons sont accordés sol-ré-sol-ré.

Two airs composed by Éric Favreau. The first piece is dedicated to two good friends: Tracy Pettit and Dominique Sarny, and the second one is for his uncle, Ronald Cotnoir, a fiddler with a creative spirit who inspired Éric. The violins are tuned G-D-G-D.

10. Grondeuses à Elzéard / Grondeuse à Wilfred / Grondeuse à Ti-ski - Les grondeuses sont généralement des reels dont la corde de sol du violon est montée en la afin de la faire grander davantage. La première pièce est du violoneux Elzéard Lepage originaire de la Gaspésie. La deuxième a été apprise par l'américaine Lisa Orenstein qui la détenait du franco-américain Wilfred Guillette et la dernière provient de Daniel Roy, joueur émérite de flgeolet de Québec.

A Grondeuse is generally a reel played with G tuned to A, generating an interesting drone. The first piece comes from the Gaspesian, Elzéard Lepage. The second was learned from Lisa Orenstein, who in turn had learned it from Franco-American Wilfred Guillette. The third comes from Daniel Roy of Quebec city.

11. Reel du chat graffigné / Polka Carnival - Le premier air à été appris de Lauréat Goulet de Saint-Pierre-de-Broughton. Celui-ci joue tous les étés depuis 35 ans au Pavillion Lysander Falls à Inverness qu'on nomme familièrement 'Le Poulailler'. C'est un des rares lieux au Québec ou les danseurs et les calleurs témoignent encore de l'authenticité des danses traditionnelles. Le deuxième air vient de la famille Soucy, une famille trés populaire durant les années 1950. Leur présence accrue à la radio, à la télévision et leur nombreux disques ont contribué a cette faveur populaire.

We learned the first tune from Lauréat Goulet from St-Pierre-de-Broughton. Every summer, for the past 35 years, he has played at the Lysander Pavilion, Inverness. Quebec, one of the few places where authentic traditional dances are still held. The second piece comes from the Soucy Family. During the 1950's their numerous records, as well as their weekly radio and television shows, made them very popular.

12. Reels en vielle - Deux reels venant de violoneux Acadiens, dont nous avons malheureusement perdu les noms. Les violons, song accordés sol-ré-sol-ré, ce qui donne une couleur toute particulière et un grondement permanent de la tonalité de sol.]

Reels from two Acadian violin players. The unique sound is provided by the G-D-G-D tuning.

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Le P'tit Felix

Felix LeBlanc, violon; Denis Champoux, guitare basse; Fernand Pelletier, piano

Producer: Denis Champoux

Tunes: L'aventurier; Reel à Robert; Valse des marées; Reel Eddy Arsenault; Island Boat Ferry; Big John McNeil; Le "Trot" de A. Tussking; Le "Step" à Henri-Paul; Valse des champs; L'Écossaise
 

Old Native And Métis Fiddling in Manitoba, Vol 2, Falcon FP - 287
 

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Winston “Scotty” Fitzgerald

Canada’s Outstanding Scottish Fiddler - SWF and his Radio Entertainers, Celtic CX 17

Tracks: The Iron Man - Riddrie Strathspeys - Mrs Douglas of Ednam Reel; Medley of Highland Jigs; Archie Menzie - Fisher Hornpipes; Little John’s Hame Strathspey - Jamie Hardie Reel; The Wonder - Newcastle Clogs; Miss Anne MacCormick - Sleepy Maggie Reels; Marchioness of Huntly - Miss Maules Strathspeys; Teviot Bridge - Stool of Repentance Jigs; Hiawatha - Jimmy Linn’s Clogs; The College Hornpipe; St Kilda Wedding - Trip to Windsor reels; Mist on The Loch - Bonnie Kate Reels

Tracks: George I. Taylor Strathspey - Marquis de Huntley Strathspey - Col. McBain’s Reel; Poppy Leaf Hornpipe - Beautiful Swanee River Hornpipe; Cape Breton Medley: Jig - Champion Jig - Lady Menzie Jig; Plains of Boyld Reel - Lord Gordon Reel; Alex R. Finley - Mrs Dundas of Arniston; Perry Bridge Clog - Sumner’s Hornpipe; McNabb’s Hornpipe - Farmer’s Daughter Reel; Southern Melodies Polka - Polo March; Iona Melody Reel - Mrs Wallace Reel - Red Shoes Reel; Canty Jeanie Strathspey - Mrs Lexie Smith Strathspey - The Arthur Seat Reel; Canty Old man Jig - Garcon Volage Jig; The Lass O’Corrie Mill Strathspey - Fisher’s Wedding Reel - Pearth Assembly Reel

Winston Fitzgerald, fiddle; Beattie Wallace, piano; Estwood Davidson, guitar

Tracks: Miss Hutton - The Braes of Tullymer Strathspeys - Miss Johnson of Pitworth Reel; Crawford Street - Janet Beaton Jigs; The Fire Fly - The Horn Hornpipes; The Haggis - Cabar Feidh Reels; James F. Dickie’s - J. Scott Skinner Strathspeys - Mrs E. MacLeod Reel; The Wizard Clogg - Kerr’s Hornpipe; The mill of Newe Strathspey - Mrs J. Forbes Reel; Medley of Cape North Jigs; Welcome to Your Feet Strathspey - bonny Lass of Fisherow - Bird’s Nest Reels; Spring Bank House - Dismal Reels - Strathspey; Cape Wrath Strathspey - Janet Beaton Reel; Tom MacCormack - Capers Jigs
 

Beattie (Mrs Fred) Wallace - Cape Breton’s finest Scottish pianist is from Cox’s Heath, Cape Breton Co: and has played with Scotty for many years.

Estwood Davidson - A long time member of Scotty’s band, Estwood is, without doubt, one of the greatest rhythm guitar players in the country and does not only confine his talents to Scottish music but is well known in other fields of music

Winston Fitzgerald, fiddle; Estwood Davidson, guitar; Catherine Ann Lamey, piano

Tracks: Stirling Castle - fling; Lord Lyndroch - strathspey; Sir George MacKenzie - reel; Jimmie MacKinnon of Smelt Brook - jig; Scotch Cove - jig; Bonnie Isabell Robertson - reel; John Howett - reel; Mrs. Menzies of Kildare - strathspey; Welcome Whiskey Back - strathspey; Captain Keeler - reel; Gramin - hornpipe; Mr. R. Catto - hornpipe; Lady Charlotte Campbell - strathspey; Urquhart Castle - strathspey; The Bridge of Inver - reel; Rosewood Dirk - strathspey; Timour of Tartar - reel; McDanaugh's Clog; Slievman's - hornpipe; Mrs. Douglas Henderson - strathspey; Michael A. MacLean - reel; Lady Caroline Montague - strathspey; Lady Lowden - strathspey; Mrs. Muir McKenzie - reel; Millburn's Hornpipe; Alexander Thoms - hornpipe; Mr. Martin's Compliments To Dr. Keith MacDonald - slow strathspey; Dr. Keith of Aberdeen - strathspey; The New Bridge of Methalic - reel

Winston (Scotty) Fitzgerald was born February 16, 1915 in a small village called White Point, on the Northern Tip of Victoria County, Cape Breton Island. At the early age of eight he took great interest in the violin and in later years formed his own band and has become the greatest Scottish violinist of all times. This is hitherto unrecorded material which Scotty's fans will enjoy fullest.

Estwood Davidson - A long time member of Scotty's band, Estwood is, without doubt, one of the greatest rhythm guitar players in the country and does not only confine his talents to Scottish music but is well known in other fields of music.

Catherine Ann Lamey is new to the Scottish recording industry but plays a very fine piano. The Lamey's have long been a well recognized family in the field of Scottish music and Catherine upholds the tradition of the family in fine style.

Winston Stotty Fitzgerald & His Radio Entertainers, Rodeo RLP 19

See Celtic CSX5 34 above

Tracks: Clan Monroe Strathspey - Frank Sutherland Reel; Clay Pipe - Swallow Tail - Lannagan’s Ball Jigs; Quay Side - Steam Boat Hornpipes; Old Southern Waltz; The Laird O’ Dumblair Strathspey - The Ten Pound Fiddle Reel - Baker Reel; Medley of Antigonish Polkas; Salute to Boston Jig; Mrs MaCaulay’s - Nine Pint Coggie Reels; Mrs J. Walker - Castle - Magnetic Hornpipes; Crossing To Ireland (air) - Rights of Man Reel; Stirling Militia March - The Green Fields of White Point Reel; Miss Hutton Strathspey - Miss Elder Reel
 

Winston (Scotty) Fitzgerald was born February 16, 1915 in a small village called White Point, on the Northern tip of Victoria County, Cape Breton Island. At the early age of eight he took great interestin the violin and in later years he formed his own band and has become the greatest Scottish Violinist of all times.

Rodeo Records know that Scotty’s fans will enjoy this new release of material hitherto unrecorded.

Tracks: McNabb’s Hornpipe - Fatmer’s Daughter Reel; Southern Melodies Polka - Polo March; Iona Melody Reel - Mrs Wallace Reel - Red Shoes Reel; Canty Jeanie Strathspey - Mrs Lexie Smith Strathspey - The Arthur Seat Reel; Canty Old man Jig - Garcon Volage Jig; The Lass O’Corrie Mill Strathspey - Fisher’s Wedding Reel - Pearth Assembly Reel; The Mill of Newe Strathspey - Miss Forbes Reel; Medley of Cape North Jigs; Welcom to Your Feet Strathspey - Bonnie Lass of Fisherow - Bird’s Nest Reels; Spring Bank House Strathspey - Dismal Reel; Cape Wrath Strathspey - Janet Beaton Reel; Tom MacCormick - Capers Jigs

(Previously released as Winston Stotty Fitzgerald & His Radio Entertainers, Celtic CSX5 34 and It’s New, Celtic CX 40)

Tracks: George I. Taylor Strathspey - Marquis de Huntley Strathspey - Col. McBain’s Reel; Poppy Leaf Hornpipe - Beautiful Swanee River Hornpipe; Cape Breton Medley: Jig - Champion Jig - Lady Menzie Jig; Plains of Boyld Reel - Lord Gordon Reel; Alex R. Finley - Mrs Dundas of Arniston; Perry Bridge Clog - Sumner’s Hornpipe; McNabb’s Hornpipe - Farmer’s Daughter Reel; Southern Melodies Polka - Polo March; Iona Melody Reel - Mrs Wallace Reel - Red Shoes Reel; Canty Jeanie Strathspey - Mrs Lexie Smith Strathspey - The Arthur Seat Reel; Canty Old man Jig - Garcon Volage Jig; The Lass O’Corrie Mill Strathspey - Fisher’s Wedding Reel - Pearth Assembly Reel; Miss Hutton - The Braes of Tullymer Strathspeys - Miss Johnson of Pitworth Reel; Crawford Street - Janet Beaton Jigs; The Fire Fly - The Horn Hornpipes; The Haggis - Cabar Feidh Reels; James F. Dickie’s - J. Scott Skinner Strathspeys - Mrs E. MacLeod Reel; The Wizard Clogg - Kerr’s Hornpipe; The mill of Newe Strathspey - Mrs J. Forbes Reel; Medley of Cape North Jigs; Welcome to Your Feet Strathspey - bonny Lass of Fisherow - Bird’s Nest Reels; Spring Bank House - Dismal Reels - Strathspey; Cape Wrath Strathspey - Janet Beaton Reel; Tom MacCormack - Capers Jigs

See Compilations

Old Native And Métis Fiddling in Manitoba, Vol 1, Falcon FP - 187

Old Native And Métis Fiddling in Manitoba, Vol 1, Falcon FP - 187

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Barry Forman

Most Requested Fiddle Tunes for you...: Sunflower International Records - SI - 1003 - 1975

Barry Forman, fiddle; Ken Forman, fiddle; Bill Hillman, guitars; Sue On Hillman, drums and percussion; Denis Rondeau, Bass; Mark Rutherford, piano, organ & flute

Produced by Alex Groshak. Recorded at Century 12 Studios, Winnipeg MB

Tracks: Anniversary Song; Arkansas Traveller / Chicken Reel; Andy's Jig / Honest John; Joys of Quebec; Frisco Waltz; Rippling Water Jig; Maple Sugar; Hillbilly Calypso; Rubber Dolly / Ragtime Annie; Dawn Waltz; Flop Eared Mule / Sailor's Hornpipe; Big John McNeill

Barry's first album Fun N' Fiddle with Forman contained twelve of Barry's Favorites. By contrast this album contains seventeen of his most requested fiddle tunes. These tunes have been rearranged by Barry. The result is a most refreshing approach to old time fiddle music.

The Forman fiddle style is the culmination of his early violin training with Mr Alex Whyte, the Canadian fiddle stylings of his father Lorne, and the influence of the well known Country Rock Trio - The Western Union. This fiddle style is being passed on to his son Kent. Kent is nine years old and is Manitoba's Junior Fiddle Champ.

The musicians on the album are no strangers to the music scene. Bill Hillman does all the guitar work with Sue On Hillman on drums. Denis Rondeau plays bass and Mark Rutherford does piano, flute and organ.

Barry, a former school teacher, now has the Ford and Mercury dealership in Rivers, Manitoba. It's now Fun N' Fiddle with Forman N' Ford.

Enjoy the album.

Barry Forman, fiddle; Murray Brown, bagpipes; Vern Brown, piano & organ; Jake Kroeger, guitar; Sonny Popoff, drums; Dennis Rondeau, bass

Recorded at Century 21 Studios, Winnipeg, Manitoba

Tracks: Mountain Belle; Boil Them Cabbage Down; Kolamayka; Amazing Grace; Bowing The Strings; Waltz Quadrille; Orange Blossom Special; Black Velvet Waltz; White River Stomp; Westphalia Waltz; Battle of New Orleans; Four String Polka
 

The Forman Fiddle style is a combination of Southern fiddle, down-east fiddle, cajun fiddle and classical violin. Apart from his solo work, Barry is also featured with “The Western Union” - a popular trio consisting of Barry Bill and Sue-On Hillman.

Rivers, Manitoba has always been known as a fiddle town. A great contributor to this reputations, Alex Whyte, has taught violin in Rivers for three generations, that is, Barry’s Father, Barry and now Barry’s son.

Rivers also boasts one of the finest pipe bands in Canada in Don Mitchell and the River Boys Pipe Band. One of the pipers, Murray Brown, is featured on this album as is his father, Vern Brown, who adds his touches on piano and organ. Also from Rivers are Jake Kroeger on guitar, Sonny Popoff on drums and Dennis Rondeau on bass.
 

This album contains a variety of fiddle sounds from the “Waltz Quadrille” played as it was done at dances years ago, to the electric fiddle sounds in “Battle of New Orleans”. 

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Reg Freer and His Orchestra

Reg Freer, fiddle; Margaret King, piano; Marg Walker, bass; Tom Levitt, guitar; Morley Winter, drums

Tunes: Navy Island Reel; French Minkuet; Mother's Favourite Jig; Pennsylvania Polka; Dad's Waltz; Jessica; Smash The Window; Flanigans Polka; St. Anne's Reel; Somewhere, Somebody's Waiting For you; He Never Came Back; Steel Guitar Rag; The High Toned Dance; The Little Shirt My Mother Made For Me; Waiting For The Robert E Lee; The Dill Pickle Rag; Hill Lilly Reel

Mrs Margaret King, a housewife from Watford, has been playing with Reg's orchestra for 12 years. She's also the organist for her church, teaches music at Metcalfe Central School, and gives piano lessons in her home. Margaret has recorded her own LP entitled "Familiar Melodies with Margaret King".

Mrs Marg. Walker from Ailsa Craig, a housewife and busy mother of four boys plays with the "Westernaires" a local group from Parkhill. She plays bass as well as piano - undoubtedly a very talented lady.

Tom Levitt, a native of Strathroy, who is a salesman for a construction company in London, first played with Reg about four years ago. Playing with an orchestra for the first time, he has certainly become on the best guitar players around - and proves it when he plays two of his favourites on the album.

Morley Winter, a commercial artist at St. Thomas, is a Napier boy. He went to school in Strathroy and has played the drums with Reg for about five years. He also plays with a group in London.

R.B. Freer started his musical career at the age of 12 when his grandparents bought him a guitar. Over the years he has played at wedding receptions, showers, dances and other community assemblies. During the four years he was in the war, in England, Italy, Holland and Belgium, his music "opened many doors".

For the past few years a number of friends have encouraged Reg to make a record. He finally has - so draw back the rug or pull up a chair and listen to forty minutes of "THE BEST OF R.B."

Reg Freer, fiddle; Margaret King, piano; Marg Walker, bass; Gerry Clement, bass; Morely Winter, drums; Tom Leavitt, electric guitar

Engineer: Donald L. Scotland

Tunes: Frolic in the Minors; Peekaboo Waltz / Over the Waves; Heel & Toe Polka; Tugerman’s Jig; When You And I Were Young Maggie; Uncle Bob’s Two Step; Miss McLeod’s Reel; To The Ladies; Medley: Forever Blowing Bubbles / The World Is Waiting For the Sunrise / Five Foot Two; Utah Trail; Let Me Be Your Little Sweetheart; I Too It; Row, Row, Row; Hemrider’s Lament; Snowflake Breakdown
 

Well, here it is! In answer to many requests, R.B. Freer has made his second record. One even more enjoyable than the first.

Nearly everyone around Kerwood has heard Reg’s ‘hospital song’ – ‘The Hemrider’s Lament’ – which poor Reg says is all too true. The song stated out as a short poem while he was a patient in the Strathroy – Middlesex Hospital, but ended up as a thirteen verse poem. On the strong advice of a clergyman friend, Reg set it to music and it has become a favourite of all.

Also featured on the record is ‘Uncle Bob’s Two Step’, a family tune which lacks any other title as far as we know. ‘Let Me Be Your Little Sweetheart’ is one of Reg’s Favourites. He learned it from on of his army buddies while overseas and it has been enjoyed by hundreds since that time.

So sit down, take it easy and enjoy a collection and variety of music and songs with ‘More of R.B.’

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