Since
1948 The Horseshoe Tavern (or Hotel) has been one of Toronto's prime entertainment
venues. Today the tavern is co-owned by a consortium that includes actor
Dan Akroid, X-Ray McRae, and Kenny Sprachman, and although the bar has
remained very much the same, the rest of the place has changed. Used to
be that there was a dining lounge in a separate room with a separate door
off Queen Street. That has now been converted into a private shop with
no access to the tavern. And the main entertainment lounge now faces a
stage on the back wall; it used to face west where a smaller bar has been
installed, near the stairs going down to the washrooms. One thing that
has remained the same though is the windowless basement dressing room.
(This is how the Horseshoe looked when it was still Torontos C&W palace)
I walked into the Shoe for a pre-arranged interview with Stompin' Tom Connors. He had been a hero of mine since I was just a kid up in Timmins, Ontario where I used to listen to his daily radio program "Live from the Skyway Room at the Maple Leaf Hotel" over CKGB. After he left Timmins I lost contact with him until one day, after watching Hockey Night In Canada, which used to end when the game was over and CBC would switch us into the program already in progress - Countrytime with Vic Mullen from Halifax, Nova Scotia. I wasn't into country music back then in 1968 but I kind of liked it. It was the music we had to listen to up north because 'our music', rock music, could only be heard late at night during the Hilltop Rendezvous. So out comes this special guest star dressed in a black leather vest, big cowboy boots and a hat and a board to beat his heal into and he sings, "Twang twang, a diddle dang a diddle danga - twang twanga diddle dang another dang twang", and I said, "That's the guy from Timmins!"
Stompin' Tom Connors was only Tom Connors back in Timmins. Now he was an up and coming star singing Canadian songs, most of which he wrote. By 1971 he had already recorded a number of albums for the Dominion label owned by Canadian Music Sales in Toronto, including a box set of Old Time Favourites containing 5 LPs. Bud The Spud and Sudbury Saturday Night were synonymous with Stompin' Tom - everybody knew those songs. I had been sneaking into the Horseshoe as an under aged 18 year old up till now; when I was 19 the government of Bill Davis lowered the drinking age (temporarily) to 18. I'd go to the Shoe with my school friends, get a good seat which was a difficult thing to do even on a week night, and get into it. I purchased my first Stompin' Tom album, Bud The Spud, and got him to stomp on the cover for me (having removed the record first). For a kid into The Who, early Zeppelin and stuff like that, this was rather different indeed.
So I'd go to these Connors shows, got to meet the man and speak with him a bit, told him that I used to listen to him in Timmins and imprinted myself into his incredible memory. I was doing a radio program at Thornlea Collegiate, what we called Radio Thornlea, and asked Tom if I could interview him sometime. Sure, he said, how bout tomorrow afternoon, right here in the Horseshoe? He said 2 pm would be just fine, that I would find him eating in the dining room.
I walked into the Horseshoe that day and this is what I wrote down:
Stompin' Tom has just started his own record label called Boot Records. He plans on re-releasing all of his Dominion records on Boot and also told me to look out for these newly signed acts: Humphrey & the Dumptrucks, Stevedore Steve, Bud Roberts, The Gleasonairs and Joe Brannigan & Brannigan's Boys.This was the first I ever heard of any of those acts. When I asked Connors about them he was most enthusiastic about Stevedore Steve.
I
found a copy of Steve's second album (first for Boot), Hard Workin' Men,
at Sam The Record Man's main store. The cover flipped me out: a guy in
a basement with a sledge hammer in his hands, shovels, axes and picks,
rolls of coiled wire and a guitar strapped around his shoulder, hanging
off his back.
(Hard Workin Men, BOS 7102, released in 1971)
I took the album home and put it on the record
player and was shaken much the same as I had been when I first heard Stompin'
Tom. It was Canadian, no mistake about it, passionately Canadian without
the patriotic non-sense. No Canadian flag wrapped around the shoulders
like the Americans liked to do. This was just being Canadian, and Steve
Foote was singing about being Canadian as a Canadian. That was all. That
was all he had to do. I was hooked.
Son Of A Real Hard Workin' Man
Stephen J.H. Foote was born in Saint John, New Brunswick in 1938. His father was a hard working man and a Pentecostal "holy-roller"1. Discipline was extreme in the Foote household: no music on Sundays, church get-togethers, picnics, Sabbath-camps when the weather was good. Steve wasn't all that interested in it but it certainly left its mark upon him2. He was a free spirit with wanderlust in his eyes. The thought of working the waterfront docks of old Saint John, as his father did, did not appeal to him. Either did going to school.
Fate is a very interesting thing and just about everybody develops their own take on it, it seems. Call it destiny, whatever you like, but although it sometimes seems improbable when looking at it from the NOW end, looking back reveals that it's those small things, those succinct things, and sometimes those difficult events in our lives that propel us into certain futures. For Steve Foote it happened when he was only 7 years old coming out of the anaesthetic in the Saint John hospital after having undergone an appendectomy.
Steve would sit around the old Philco radio
listening to music programs when his father wasn't
around. The old man forbid music in the house - the radio was strictly
designed for weather reports or listening to the evening news. He would
turn on "Maritime Frolics" and other country music programs and was fascinated
by the simple charm of blue collar music. It was most likely the music
of Hank Snow, Wilf Carter (Montana Slim), the Carter Family and stars of
the Grand Ole Opry that he heard. Certainly local celebrity gone national:
Don Messer, broadcasting from the Charlottetown studios of CFCY over the
CBC Dominion network. And certainly another local star, Ned Landry.
The music and the programs that Steve Foote listened to in those chilling days of the late 1940s and early 1950s, when the world was changing ever so rapidly after years of depression and war, sent him places that he could only marvel at in magazines. Texas! Nashville, Tennessee! New York City! He longed to go places that he could only dream about. The reality of his home-life were the strict edicts enforced on his family by its patriarch which only forced the boy away. If he had to sneak and do things behind his parents' backs, so be it. If it meant the swift back of a hand, it was still worth it. Steve was strong within himself and was determined to be a strengthened soul.
Then
it happened! He walked his sixteen year old half-man, half-boy frame into
the Silver Rail in Saint John where he would sometimes hang out. He put
some money into the juke box and was just about to choose a selection when
somebody shouted: "Play a good one, huh?" He turned around and found himself
staring at a long, tall, stringbean with an ear to ear grin. "And what's
a good one," Steve asked? "Anything by Hank Snow," came the reply. Steve
obliged and sat down at the table with the guy. After a long chat they
discovered that yes, they were the two boys from the hospital when they
were seven.
Tom invited Steve up to his room in the boarding
house he was renting. At 16 he was on his own, having worked the coal boats
for a couple of years after escaping from his foster home in a forlorn
part of Prince Edward Island. He wanted Steve to listen to some of the
songs he knew so they made arrangements to do so. They were a couple of
kids with visions in their eyes and could see that in each other. In their
own ways, they were both loners, and wanted to do something about it. The
world was a big and formidable place and the odds seemed stacked against
them, two teens from blue collar backgrounds. Steve finally got it together
and took leave of his parents, taking a bus to Montreal. Connors worked
a coal boat for the winter. But when they hooked up the following spring
they knew what they both had to do. Young Tommy Connors with his guitar
and street-smarts; Steve Foote with a belly full of grit and determination.
They bonded a friendship that would take them a million miles to the very
places of their dreams.
Back to the Index
To go on the road with the Two Hobos: Steve
and Tom, click HERE
© 2003 by Steve Fruitman
for The Great North Wind ®