And Now for The Particulars:
  
  
  
  Side A
  
1.   Wes Dakus & Club 93 Rebels: Pink Canary
  (Bob Clarke)
  45 single bw Road Block (Quality) 1982X
  Edmonton AB
Wes Dakus: steel
Barry Allen (guitar, vocals)
Bob Clarke (guitar)
Stu Mitchell (drums)
Dennis Paul (bass)
  Produced 1960
  
Wesley "Wes" Dakus b. Mannville Alberta April 2, 1938 / d. August 18, 2013 Vancouver (75)
  
  Wes Dakus & The Rebels formed in 1958 and often interchanged
personnel with Edmonton’s Nomads. They were signed to Quality Records in
1960 and released “El Ringo” that year. Touring as the backing act for several
other prominent artists, including Buddy Knox, which established the band
as seasoned professionals allowing them to record material as Wes
Dakus & The Rebels with famed producer Norm Petty (Buddy Holly, The Fireballs)
starting in 1962. Later sessions in 1964 also produced recordings for Dakus
himself and erstwhile member Barry Allen’s side project as a solo artist.
  
Wes Dakus and Club 93 Rebels was what they called the band when they worked
for an Edmonton radio station: they only released one 45 under that name.
  
  2.   Love: 7 & 7 Is 
  (Arthur Lee)
Revisited: Elektra EKS 74058
  Los Angeles CA
  Arthur Lee lead vocals, harmonica, guitar, drums, percussion
Johnny Echols lead guitar
Bryan MacLean rhythm guitar, vocal
Ken Forssi bass
Alban "Snoopy" Pfisterer organ, harpsichord
Compilation Produced by Paul Rothchild, Jac Holzman, Mark Abramson, Bruce Botnick, Arthur Lee, 1970
  Recorded 1966
  From the LP Da Capo Produced by Paul Rothchild
Recorded by Dave Hassinger & Bruce Botnick June 17 & 20, 1966 Sunset Sound Recorders, Hollywood
  
  3.   The Kinks: Come On Now
  (Ray Davies)
  45 single bw Tired of Waiting For You: Pye Records 7N-15759
  London UK
Ray Davies: guitar, vocals
Dave Davies: guitar, lead vocal
Mick Avory: bass
Pete Quaife: drums
Rasa Davies: bg vocals
  Produced by Shel Talmy, 1965
  Recorded at Pye Studios, London
  
  4.   The Jaggerz: The Rapper 
  (Dominec Ierace)
45 single bw Born Poor: Kama Sutra Records: KA. 502X
  Pittsburgh PA
  Dominic Ierace - guitar, bass, trumpet, vocals
Jimmie Ross - tube, trombone, bass, vocals
Benny Faiella - guitar, bass, background vocals
Thom Davies - organ, piano, trumpet
Billy Maybray - bass, drums, vocals
Jim Pugliano - drums, background vocals
Produced by Neil Bogart, 1970
  
  A band started by Ierace who used the stage name Donnie Iris
in 1964 as Donnie and the Donnells. Later changed their name to Jaggers but
found another band using that name so they changed the s to a z. The band's
name has nothing to do with Mick Jagger; it derives from the Western Pennsylvania
English term, "jagger," meaning any small, sharp-pointed object, typically
thorns and prickles.
  
5. L’Etranger: Today’s Papers
  (Charlie Angus / Andrew Cash) 
  Innocent Hands EP: Sensible Record Company LET-001 
  Toronto ON 
  Andrew Cash, guitar, vocals 
Peter Duffin, drums, vocals 
Charlie “Chuck” Angus, bass, vocals 
  Produced by L’Etranger, Greg Lunny and Mike Phillips, 1982 
  Recorded at Nova Sound June 1982, Toronto
  
  Named for the novel L'Étranger by Albert Camus, they formed in 1980 in Toronto. 
Charles Joseph Angus b. November 14, 1962 Timmins, Ontario 
Andrew Cash b. January 22, 1962 Toronto, Ontario 
  
Angus left the band to form Grievous Angels, and was replaced by Tim Vesely
for the band's final EP, Sticks and Stones in 1986. Angus has also been a
Member of Parliament to Timmins – James Bay since 2004
  
6.   Joseph Holzer & His Woodchoppers: Kannst du Jodeln Sennerin 
  (Unknown)    
  In A German Beer Garden: Vox Records STPL 513.290 
  Germany 
Joseph Holzer: accordion, vocal 
Unknown band members 
  Produced 1959
  
  When released, this album received 3 stars from Billboard Mag.
This is their review:  "Sturdy instrumental treatments of jovial Bavarian-style
ditties are provided by the European group. Authentic sounding wax for the
market." 
  
7.   The Idle Race: Bitter Green 
  (Gordon Lightfoot)
  The Idle Race: Regal Zonophone – SLRZ 1017
  Birmingham
  Bass Guitar, Vocals, Cello [Electric] – Greg Masters
Drums, Percussion, Vocals – Roger Spencer 
Lead Guitar, Acoustic Guitar, Vocals – Mike Hopkins 
Vocals, Flute, Rhythm Guitar – David Pritchard
Vocals, Harmonica, Piano – Richie Walker
  Produced by Kenneth Young, The Idle Race and David Arden, 1971
  
  In 1967, the Idle Race were the first major signing by the new
British arm of Liberty Records. Only their first single (which was not issued
in the UK) and their first album got released in the US on Liberty. They
often appeared on the same bill with such bands as the Spencer Davis Group,
the Who, Small Faces, Pink Floyd, the Moody Blues, Tyrannosaurus Rex, Yes,
Free, and the Move. In addition to original material, their set list included
covers of  "Born to Be Wild", "Purple Haze", Moby Grape's "Hey Grandma,"
The Lemon Pipers' "Blueberry Blue," and The Doors' "Love Me Two Times".
  
8.   Golden Earring: Love Is A Rodeo
  (G Kooymans / B Hay)
  Switch: Track Records / MCA MCA 2139
  The Hague, Netherlands
  George Kooymans: guitar, vocals
Rinus Gerritsen: bass, keyboards
Barry Hay: flute, vocals
Cesar Zuiderwijk: drums
Robert Jan Stips: keyboard
Bertus Borgers: saxophone
Eelco Gelling: guitar
  Produced by Golden Earring, 1975
  Recorded by Andy Knight, John Kriek, Jan Schuurman
Mixing: Andy Knight, John Kriek
  
  9.   Fleetwood Mac: Black Magic Woman
  (Peter Green)
  English Rose: Epic Records - BN 26446
  London UK
Peter Green: guitar
Danny Kirwan: guitar
Jeremy Spencer: piano
Mick Fleetwood: drums
John McVie: bass
Produced by Mike Vernon, 1968
  
  Originally recorded by Fleetwood Mac in 1968, the song became
a mega-hit for Carlos Santana in 1970. The original recording by Peter Green's
Fleetwood Mac featured guitars that were slightly below standard pitch, probably
due to them being tuned to a piano or another guitar in the recording studio
which makes them kind of unique. Like Albatross, the first instrumental hit
by the band, Black Magic Woman was a big hit in the UK but didn’t really
catch on this side of the Atlantic until Santana.
  
10. The Fentons: Shadow Play
  (Rory Gallagher)
  Whatever It Takes: Strange Music FB002
  Ottawa ON
Paul Fenton: slide guitar, acoustic guitars
Michael Fenton: lead vocal, bass
Ron Gilfillan: lead guitar
Doug Inglis: drums
  Produced by The Fentons and Tony McLean, 1987
  
  The original Fentons band formed in Ottawa in 1984 and disbanded
in 1990. About Paul Fenton’s slide guitar playing: “Man, this guy is a red
hot slide player!” claimed Johnny Winter. He formed a punk band called The
Action in Ottawa which were notorious for being extremely loud. He also played
in the Blushing Brides for a while before forming the Fentons.
  
11. The Beatles: And Your Bird Can Sing
  (Lennon / McCartney)
  Yesterday And Today: Capitol records of Canada T 2553
  Liverpool UK
John Lennon: lead vocal, rhythm guitar, handclaps
Paul McCartney: harmony vocal, bass, lead guitar, handclaps
George Harrison: harmony vocal, lead guitar, handclaps
Ringo Starr: drums, tambourine, handclaps
  Produced by George Martin, 1966
  Recorded by Geoff Emerick April 26, 1966 at EMI Studios, London
  
  In Canada we got this song on the album Yesterday and
Today; most of the rest of the world got it from Revolver. John Lennon called
this “another of my throwaways… fancy paper around an empty box.” It was
actually written about Frank Sinatra after reading an article in Esquire
Magazine which called Sinatra “the fully emancipated male…the man who can
have anything he wants.” Dual lead guitars by George and Paul are really
cool!
  
12. The Eternals: Hideaway
  (F King / S Thompson)
  45: Quality Records - 1922
  Winnipeg MB
Ron Paley: keys
Ted Paley: drums
John Hildebrand: guitar
Harry Hildebrand: bass
  Produced by Ron Paley, 1968
  Recorded at Century 21 Studios, Winnipeg
  
  The Eternals was formed in Manitoba around 1961 by two
sets of brothers. They were another one of the great ‘60s Manitoba bands.
In 1968, they opened “Century 21 Studios”, the first professional multi-track
recording studio in central Canada. John Hildebrand became the recording
engineer while Ron Paley supervised the technical installation and operations
of the recording equipment. The band basically called it quits in the early
70s to get more into the business side of things.
  
13. Hands And Teeth: Not The Same
  (Hands and Teeth)
  Before The Light EP: Underground Operations - UOP J-44
  Toronto ON
Kevin Black: guitar, vocals, autoharp
Adam Kolubinski: drums
Derek Monson: bass, vocals, electronic drums
Natasha Pasternak: vocals, guitar, synths
  Produced by Hands And Teeth with Carlin Nicholson & Mike O'Brien, 2014
  Recorded by Carlin Nicholson & Mike O'Brien at Ill Eagle Studio, Toronto
Mixed by Carlin Nicholson at the Cracker Pit
Mastered by Noah Mintz at Lacquer Channel, Toronto
  
  Toronto band that I featured on my program June 9, 2014
when they released their vinyl EP. They broke up shortly afterwards. Natasha
Pasternak is the daughter of singer / songwriter / music producer Suzanne
Pasternak and grew up in Prince Edward County, Ontario. She now makes her
home in California.
  
14. The Cars: Gimme Some Slack 
  (Ric Ocasek)
  Panorama: Elektra Records ELK 52 240
Boston Massachusetts
  David Robinson: drums, bg vocals
Greg Hawkes: keys, sax, bg vocals
Benjamin Orr: vocals, bass
Ric Ocasek: vocals, rhythm guitar
Elliot Easton: lead guitar, bg vocals
  Produced by Roy Thomas Baker, 1980
  Recorded by Ian Taylor at Cherokee Recording  Studio, LA; Jason Corsaro at The Power Station, NYC
  
Richard Theodore Otcasek b. Baltimore Maryland March 23, 1944 / d. September 15, 2019 (75) NYC
  
  Ocasek formed a band called ID Nirvana in 1968 with his school
hood pal Benjamin Orr (bass) and performed around Ohio and after a few futile
years moved to Boston where he and Orr got into a Crosby Stills & Nash
type of band called Milkwood. It was there that they met the third component
of the future Cars, Greg Hawkes (keys) who played on Milkwood’s only album.
Eventually their paths lead to the 1978 founding of The Cars.
  
Ocasek wrote most of their songs and also produced most of their albums.
He went on to produce records by Bad Religion, Jonathan Richman and others.
  
2018 Inducted into the Rock & Roll Hall Of Fame with The Cars
  
15. The Electric Prunes: Vox Wah Wah Commercial
  (??)
  Flexi-disc single: 08-00110-0
  Los Angeles CA
James Lowe: vocals, rhythm guitar, autoharp, tambourine
Mark Tulin: bass guitar, piano, organ
Ken Williams: lead guitar
James Spagnola: vocals, rhythm guitar
Preston Ritter: drums, percussion
  Produced 1967
  
  The Electric Prunes had a major hit on their hands with "I Had
Too Much To Dream (Last Night)", which also included a heavily-textured psychedelic
guitar motif. It was the band’s second single, released in November 1966.
Its success earned the group a promotional contract with musical equipment
makers Vox, makers of The Beatles’ famous amps. They recorded this advert,
demonstrating the use of  Vox's wah-wah pedal in early 1967, and the
band was featured in magazines such as Teen Beat.
  
16. Jimi Hendrix Experience: Up From The Skies
  (Jimi Hendrix)
  Axis: Bold As Love: Reprise Records 6281
  Seattle WA / London UK
  Jimi Hendrix: vocals, guitar
Noel Redding: bass
Mitch Mitchell: drums, brushes
  Produced by Chas Chandler and Eddie Kramer, 1967
  Recorded by Eddie Kramer at Olympic Studios, London
  
  Axis: Bold As Love released on Dec 1, 1967. "I don’t
know what a commercial record really is. So what we do is write and try to
get it together as best as possible for anybody who’d really dig it. It doesn’t
make any difference who.” Jimi
  
17. The Absolute Whores: Johnny Cash Records
  (JP Trash)
  The Original Band of the Nineties: WhoreSongs Productions RDR12-18
  Toronto
  John Paul Trash: guitar, vocals
Ugly Dick: bass, vocals
CLINT RUDE: drums, vocals
Blind Pig Newton: guitar, vocals
Chris Whiteley: harmonica
Andrea Slonetsky: cello
Mean Steve Piano: piano
Produced by Vaughn Passmore and Absolute Whores, 1989
  Recorded at Umbrella Sound, Toronto by Kyle Kutasewich & V Passmore
  
  The Absolute Whores were a cutting edge Toronto thrash
punk band who put out two albums before calling it quits. They were originally
called The Complete Sluts but were talked into modifying the name, thus:
Absolute Whores. Their first album, released in 1985, was called Killing
an Elvis Song for You. It took them another four years to record their follow-up
album.
  
18. Bad Tractor: Here Today, Gone Tomorrow 
  (Ramones) 
  Blessington: Meyers Creek Records MLRLP 0517 
  Belleville ON 
  Tim Hadley: guitar, lead vocal 
Ian McKendry: electric guitar 
Mike Budding: bass 
Steve Fruitman: drums 
Janet Mercier: vocals 
Produced by Nicolas Tjelios, 2018 
  Recorded at Big Red Button Studio, Belleville ON by Nicolas Tjelios 
Mastered by Phillip Shaw Bova at Bova Lab Studio, Ottawa ON 
  
  19. Affinity: Love Potion Number 9 
  (Jerry Leiber / Mike Stoller) 
Origins… 1965-67: Angel Air Records 
  London UK 
  Grant Perpell: drums 
Mo Foster: bass 
Lynton Naiff: keys 
Mike Jopp: guitar 
Linda Hoyle: vocals 
  Produced 1965-7 
  Compilation CD releaed 2004
  
  The band named themselves after and Oscar Peterson LP from 1961.
  
Originally written in 1959 and recorded by The Clovers, the song became a
top ten hit for The Searchers. It was also recorded by The Tijuana Brass
and The Coasters.
  
20. Red Island: Dartmouth Reel
  (Jamie Snider)
  In Pursuit of the Wild Bolonga ¬ Quay CS 7803
  St John's NL
  Jamie Snider, violin, guitar;
Don Walsh, electric guitar;
Derek Pelly, bass;
Bruce Crummell, lead guitar;
Shawn Power, drums
Produced by Red Island & Neil Bishop, March 1978
  Engineered by Neil Bishop at Clode Sound Studios, Stephenville
  
  Red Island was a short lived Celtic-Rock band based out
of St. John’s in the late 1970s. Leader Jamie Snider (from Toronto) left
the band shortly after the release of this record to join a Newfoundland
super-band called ‘The Wonderful Grand Band’ who were doing similar material.
It also featured Derek Pelly who went to play with Figgy Duff and Rawlin’s
Cross.
  
Vintage Voices w DJ Philomena
  
21. Nicola DiBari: La Prima Cosa Bella 
  (The First Beautiful Thing)
  (Nicola DiBari)
  Nicola DiBari: RCA Italiana – PSL 10464
  Italy
Nicola DiBari: acoustic guitar, vocals
Franz Di Cioccio, drums
Damiano Dattoli, 
Andrea Sacchi
Flavio Premoli
Produced by Lucio Battisti, 1970
  
Michele Scommegna b. 29 September 1940 (age 81) Zapponeta, Apulia, Kingdom of Italy
  
  
  The Bee Side
  
1.   The Offbeats: Do You Wanna Dance 
  (Bobby Freeman)
  Do You Wanna Dance - The Best of Frank's Bandstand: Arc A669
  Halifax NS
  Brian Ahern: guitar
Keith Jollimore, sax
Jack Lilly, drums
Earl Fralick, keys
Jimmy White, bass
  Produced by Mannie Pittson, 1965
  
  Friday's show, Frank's Bandstand, was hosted by local CHNS radio
personality Frank Cameron, broadcast from Halifax and included Nova Scotia's
finest artists.
  
The Halifax Music Hop house band, the Offbeats, was directed by guitarist
Brian Ahern, who would go on to marry Emmylou Harris and produce early breakthrough
recordings by Anne Murray. Saxophone player Keith Jollimore later played
with Lighthouse and guested on albums by Crowbar, April Wine and the Cooper
Brothers.
  
2.   Queen: Sheer Heart Attack
  (Roger Taylor)
  News of the World: Elektra Records: 6E 112
  London UK
Freddie Mercury: lead vocals and backing vocals
Brian May: lead guitar
Roger Taylor: lead vocals and backing vocals, drums, rhythm guitar, bass
  Produced by Queen with Mike Stone, 1977
  Recorded by Mike Stone at Basing Street and Wessex Studios
  
  Interestingly, this song was written for the 1974 album by Queen called Sheer Heart Attack
but it didn’t make the final cut because it never got finished. Re-written
by Roger Taylor, it came out three years later on their News of the World
album.
  
3.   The Viletones: Screaming Fist
  (Pompie / Leckie)
  EP: Vile Records 8277
  Toronto ON
(Dog) Steven Leckie: vocal
Motor X: drums
Freddie Pompeii: guitar
Chris Hate: bass
  Produced by Tibor Takacs, 1977
  
  The Viletones are one of the first generation punk rock bands
from Toronto. They appeared on the front cover of magazines all over the
world. They joined a couple of other punk bands, The Diodes and Teenage Head,
at famed New York punk club CBGB at a showcase featuring "three outrageous
punk bands from Toronto.” Screamin Fist was their first single, released
on their own label Vile Records label.
  
4.   Zwol: A Little Bit Crazy 
  (Walter Zwol) 
  Zwol: EMI America SW17005 
  Toronto 
Walter Zwol: vocal 
Bernie LaBarge: guitar and vocals 
Grant Slater: keyboards and vocals 
Sonnie Bernardi: drums 
Dennis Pinhorn: bass guitar and vocals. 
  Produced by Roger Cook, Ralph Murray and Walter Zwol, 1979 
  Recorded Crazy Mama Studios in Nashville and Miami's Criteria Studios
  
  Walter Zwolinski was a founding member and front-man
for the Canadian rock band Brutus (1969–1976). After that he went solo. Zwol
became the first Canadian artist to sign directly with an American label,
EMI. Zwol continued on the circuit and formed The Rage which recorded one
record, before taking an office job at Attic Records in the mid '80s.
  
5.   Neil Young & Crazy Horse: Come On Baby Let’s Go Downtown 
  (Neil Young / Danny Whitten) 
  Tonight’s The Night: Reprise Records MS 2221 
  Toronto ON / California 
Neil Young: guitar, vocal 
Ben Keith – pedal steel guitar, vocal 
Danny Whitten – vocal, electric guitar 
Jack Nitzsche – electric piano 
Billy Talbot – bass 
Ralph Molina – drums, vocal 
  Produced by David Briggs and Neil Young with Tim Mulligan, 1975
  
  This track Recorded live at Fillmore East, NYC, March 1970
  
  6.   Gordon Quinton: Sunbreeze
  (G Quinton)
  Guitar Songs: Quay Records 7933
  Grand Falls-Windsor, NL
  Gordon Quinton, guitar
Boyd Norman, bass
John Lacey, second guitar
  Produced by Neil Bishop and Claude Caines, May 1979
  Recorded at Clode Sound, Stephenville
  
  Gordon was awarded Instrumental Artist by the Music Industry
Association of Newfoundland and Labrador in 1997. He was honoured again in
2007 as Instrumental Artist/Group of the Year award and nominated for a Canadian
Folk Music Award that same year for his recording, The Yellow Sky. In 2013,
Gordon received the Instrumental Artist/Group of the Year award from MusicNL
for A Guitar’s Story.   
  
One of you listeners wrote me this:
  
  “Hi Steve, Leon Russell made an incredible album in 1974 called Hank
Wilson's Back. He recorded it in Nashville with many great musicians including
J.J Cale. This album went under the radar for many people and radio stations
and still does. Perhaps you are familiar with this amazing record. I got
my copy at Sam the Record Man and a while later they discounted it to $2.99
and I bought them all and gave them to my friends and family."
  
So we’re gonna find out what he’s goin’ on about at the end of the next set
of music, on 33.45.78 with Steve Fruitman a course, beginning with a Jet
Black Machine. 
  
7.   Vince Taylor & The Playboys: Jet Black Machine
  (Clifford Adams)
  45 single: Palette Records PG 9001
  Isleworth UK
  Vince Taylor: vocals
Bobbie Clarke: drums
Johnny Vance: bass
Alain Le Claire: piano
Tony Harvey: guitar
  Produced 1960
  
Vince Taylor b. Brian Maurice Holden July 14, 1939 Isleworth, UK / d. August 28, 1991
  
  When he was seven years old, his family emigrated to America
and settled in New Jersey where his father took work in a coal mine. The
family later moved to California where Brian grew up.
At age 18, impressed by the music of Gene Vincent and Elvis Presley, Taylor
began to sing, When his brother-in-law, who became his manager, went to London
on business he asked Taylor to join him to check out the music scene. He
formed The Playboys and they released their first single  “I Like Love”
in 1958. After the release of Jet Black Machine in 1960, there were several
arguments between Taylor and the band, and The Playboys fired and changed
their name to "The Bobbie Clarke Noise". 
  
According to David Bowie, Taylor was the main inspiration behind the Ziggy Stardust character.
  
Interestingly, the songwriter of ‘Jet Black Machine’, Clilfford Adams (aka
Clifford Davis) went on to become the first manager, in 1967, of a brand
new band called Fleetwood Mac. (  He would manage The Mac until 1974
when the band temporarily fell apart and Adams hired another band, Curved
Air, to tour as ‘Fleetwood Mac’ in order to fulfill gig commitments. 
He also claimed that he owned the group's name, which caused ill-feeling
between him and the remaining band members. The members of the real Fleetwood
Mac brought legal proceedings against Davis, and the subsequent court case
lasted 4 years. 
  
8.   The Ramones: Danger Zone
  (Dee Dee Ramone / Johnny Ramone)
  Too Tough To Die: Sire Records 92 51871
  NYC
Joey Ramone: lead vocals
Johnny Ramone: guitar
Dee Dee Ramone: bass guitar, backing vocals
Richie Ramone: drums, backing vocals
  Produced by Ed Stasium and Tommy Ramone, 1984
  Recorded at Media Sound Studios, NYC
  
  9.   The Ugly Ducklings: She Ain’t No Use To Me
  (Dave Byngham / Roger Mayne)
  Somewhere Outside: Yorktown Records - YT 50,001
  Toronto ON
  Dave Bingham (vocals)
Glynn Bell (guitar)
Roger Mayne (guitar)
John Read (bass)
Robin Boers (drums)
  Produced by Bill Huard, 1966
  Recorded by Dave Leonard, Ray Lawrence, Gary Youngblood & Terry
Vollum at Stea Phillips, NYC - Hallmark Sound, Toronto - Bay Recording, Toronto
  
  She Ain’t No Use To Me was a good follow-up to the Duck’s
original hit song, Nothin’,  but it wasn’t until they released Gaslight
in 1967 that they hit the number one spot in Canada. In 1968 Yorkville Records
released the band's debut album, 'Somewhere Outside', and Mick Jagger proclaimed
The Ugly Ducklings as "my favourite Canadian band". The trouble was, they
had already disbanded.
  
10. Sam & Dave: May I Baby
  (Isaac Hayes / David Porter)
  45 single bw Soul Man: Stax Records: STAX 231X
  Miami FL
  Sam Moore: vocals
Dave Prater: vocals
With Booker T & The MGs: 
Booker T. Jones: organ
Al Jackson Jr. (drums)
Steve Cropper (guitar) 
Donald "Duck" Dunn(bass guitar)
  Produced by Isaac Hayes and David Porter, 1967
  Recorded at the Stax Capitol Theater in Memphis
  
Sam Moore (Samuel David Hicks on October 12, 1935)
Dave Prater (May 9, 1937 April 9, 1988)
  
  Sam & Dave were considered to be the most successful soul
duo of the sixties. While Motown was owning the R&B charts, the Stax
Records sound penetrated their hold with artists like Aretha Franklin and
Sam & Dave.
  
11. The Outlaws: Waterhole 
  (Outlaws)
  Outlaws: Arista Records AL 4042
  Macon GA
  Hughie Thomasson: lead guitar
Monte Yoho: drums
Billy Jones: lead guitar
Frank O’Keefe: bass
Henry Pauy: guitars
  Produced by Paul A Rothchild, 1975
  Recorded by Fritz Richmond at Elektra Sound recorders, Los Angeles
  
  Paul A Rothchild was the Doors’ producer.
  
12. Leon Russell: Truck Drivin’ Man 
  (Terry Fell)
  Hank Wilson’s Back!: Shelter Records – SW-8923
  Nashville TN
  Leon Russell: vocals
  With any combination of:
Harold Bradley - bass
David Briggs - piano, backing vocals
Jim Buchanan – fiddle
Billy Byrd - electric guitar
J.J. Cale – electric guitar, producer
Jerry Carrigan - drums
Curly Chalker - steel guitar
Dianne Davidson - rhythm guitar, backing vocals
Pete Drake - steel guitar
Ray Edenton - rhythm guitar, backing vocals
Johnny Gimble - fiddle
Buddy Harman - drums
Millie Kirkham - backing vocals
Grady Martin - electric guitar
Charlie McCoy - harmonica, backing vocals
Melba Montgomery - backing vocals
Bob Moore - electric upright bass
Weldon Myrick - steel guitar
Carl Radle - electric bass
Hargus "Pig" Robbins - piano
Butch Robins - dobro
Hal Rugg - steel guitar
Billy Sanford - high string and rhythm guitar
Tut Taylor - dobro
Bobby Thompson - banjo
Pete Wade - electric guitar
Chip Young - high string guitar
Joe Zinkan - electric upright bass
Produced by Leon Russell, Denny Cordell, Audie Ashworth, 1973
  Recorded at Bradley's Barn, Mt. Juliet, Tennessee
  
  13. Wally Zayonce & His Buckaroos: Ukrainian Kolomekya
  (trad)
  On The Bandstand: Buckaroo Records RXS 6913
  Penticton BC
  Wally Zayonce, cordovox accordion
Bruce Fazan, guitar, trumpet
Lyle Johnson, drums
Unknown others
  Produced by Al Reusch at Aragon Recording Studios, Vancouver 196?
  
  14. The New Vaudeville Band: Whispering
  (Cockburn / Rose / Schonberger) 
  Winchester Catherdral: Fontana Records / London MGF 27560
  London, UK
  Alan Klein: vocals
Henri Harrison: drums
Stan Haywood: keys
Neil Korner: bass
Mick Wilsher: guitar
Hugh Watts: trombone
Bob Kerr: trombone, sax
  Produced by Geoff Stephens, 1966
  
  15. The Northern Pikes: She Ain’t Pretty
  (Bryan Potvin)
  Snow In June: Virgin Records Canada – VL4 3084
  Saskatoon SK
  Vocals, Bass: Jay Semko
Vocals, Guitar: Bryan Potvin, Merl Bryck
Organ, Keyboards, Accordion: Garth Hudson
Piano [Acoustic]: Stan Szelest
Acoustic Guitar, Autoharp, Harp: John Sebastian
Backing Vocals: Crystal Taliefero
Drums, Percussion: Don Schmid
Keyboards, Organ: Ian Tanner
Keyboards, Piano [Acoustic]: Rick Hutt
  Producer by Fraser Hill, The Northern Pikes, 1990
  Recorded At Studio West, Saskatoon
Mixed By Bob Clearmountain, Hugh Padgham
  
  16. Kirsty MacColl: Innocence (Vinyl Remix) 
  (Kirsty MacColl / Pete Glenister)
  45 single bw Clubland: Virgin KMA 3
  Croyden UK
  Kirsty MacColl - vocals, guitar, acoustic bass, steel guitar, autoharp, percussion
Other musicians not listed
  Produced by Steve Lillywhite, 1989
  Remixed by Glenister & Brockbank
  
Kirsty Anna MacColl b. 10 October 1959 / d. Cozumel Mexico 18 December 2000
  
  Originally released on Kite, her second album, in 1988 and remixed for the single.
She died in a boating accident saving her son’s life while on a Mexican vacation.
  
17. The Peanut Butter Conspiracy: The Flight Of the Psychedelic Bumble Bee
  (Alan Brackett)
  Spreading From The Ashes: Big Beat Records
  Los Angeles
  Barbara Robison: lead vocals, percussion
Alan Brackett: bass
Lance Fent: lead guitar
John Merrill: rhythm guitar
Jim Voight: drums
  Produced by Gary Usher, 1967-68
  Recorded at Columbia Records Studios, Hollywood CA
  
  Formed in Los Angeles in 1966, they were originally called
The Young Swingers featuring future Jefferson Airplane drummer Spencer Dryden.
They morphed into The Crossing Guards before finding the Peanut Butter Conspiracy
name. They split up in 1970 after releasing three albums.
  
18. Selina Martin: No Form
  (Selina Martin)
  Disaster Fantasies: SELMALP0008
  Pakenham / Toronto ON
  Selina Martin: vocals, guiars, bass, musical saw, wine glasses, organ
Chris Stringer: guitars, bass, synth, Wurlitzer, mini-moog, percussion
Annelise Noronha: guitars, accordion
Doug Friesen: bass, trombone
Josh Van Tassel: drums
Martin Tielli: guitar
Jack Breakfast: piano
Produced by Chris Stringer, 2010
  Recorded by Chris Stringer at The Lincoln County Social Club, Toronto
Mastered by Joao Carvalho at Joao Carlvalho Mastering, Toronto
  
Selina Pauline Martin b. 1967
  
  No Form, takes off from a sonnet by Leonard Cohen, in which he
contemplates the blank page waiting for him to fill it up with meaning. "His
thing was about talking to his non-existent sonnet, and mine is more turned
in on myself," she said.
  
19. Rob Piltch: Sambo 
  (Rob Piltch / Jon Goldsmith) 
  Rob Piltch: Duke Street Records DSR 31047 
  Toronto ON 
  Rob Piltch: guitar 
Jon Goldsmith: keys, autoharp 
Bob Yale: programing 
Produced by Gary Gray and Rob Piltch, 1988 
  Recorded by Gary Gray with Mike Duncan 
Mastered by Bob Ludwig at Masterdisk, NYC
  
  20. Stevie Wonder: Higher Ground
  (Stevie Wonder)
  Innervisions: Motown T 326L
  Saginaw MI
Stevie Wonder all instruments
  Produced by Stevie Wonder, 1973
  Recorded by Dan Barbiero and Austin Godsey at The Record Plant, Los Angeles CA & Media Sound Inc. NYC
Mastered by George Marino at The Cutting Room, NYC
  
Stevland Hardaway Judkins b. May 13, 1950 Saginaw Michigan
  
  Wonder has won 22 Grammy Awards as well as a Grammy Lifetime Achievement Award in 1996