33.45.78 All Vinyl Radio Show
with Steve Fruitman
#357
December 7, 2020
click pic to go to Campstreams Radio Archive page
Plastic Mind Jam
Hear this show now!

      Hour One


1.   Borealis: Lucky Day – 1973 *
2.   The Jam: Monday – 1980
3.   Jimi Hendrix Experience: I Don’t Live Today  – 1967
4.   Bad Tractor: Here Today, Gone Tomorrow – 2018 *
5.   13th Floor Elevators: Roller Coaster – 1966
6.   Selina Martin: I Know Dullness – 2010 *
7.   The British Modbeats: Frustration – 1967 *
8.   McDonald & Giles: Tomorrow’s People / Children Of Today – 1971
9.   Kent Brockwell: Jam On Gerry’s Rocks – 1974 *
10. Johnny & The Hurricanes: Traffic Jam – 1961
11. Fleetwood Mac: Red Hot Jam – 1969
12. Klaatu: California Jam – 1976 *
13. The Beatles: And Your Bird Can Sing – 1966

Hour Two

1.   Bruce Cockburn: Happy Good Morning Blues – 1971 *
2.   Plastic Ono Band: Money – 1969
3.   Mothers of Invention: Plastic People – 1967
4.   The Temptations: Plastic Man – 1973
5.   Giles, Giles & Fripp: Plastic Pennies – 1968
6.   Jefferson Airplane: Plastic Fantastic Lover – 1967
7.   Fire Engines: Plastic Gift – 1980
8.   Plastic Cloud: Shadows Of Your Mind – 1968 *
9.   Savoy Brown: Made Up My Mind – 1969
10. Left Banke: I’ve Got Something On My Mind – 1966
11. Hank Williams: You Better Keep It On Your Mind – 1952
12. David Celia: Double Mind – 2015 *
13. Striped Bananas: Mind Desert – 2012
14. King Crimson: Sailor’s Tune – 1971
15. Bonus Track: Lovin’ Spoonful: Did You Ever Have To Make Up Your Mind - 1965

CanCon – 33%


And Now for The Particulars:

Hour One

1.   Borealis: Lucky Day
(Mark Bradbury / Paul Bradbury)
Sons of the Sea: Audat Records – 477-9025
St. John’s, NL

Mark Bradbury: vocals, bass
Paul Bradbury: vocals, organ
Wayne Sturge: guitar
Dave Hillier: drums
Produced by Mac Feeney, 1973
Recorded at MUN Studios, Memorial University, St. John’s

This was the 1st “all original” LP by a Newfoundland rock band. In fact, this was their only LP. Borealis only stayed together less than 2 yrs. Guitarist Wayne Sturge later went on to co-author the first comprehensive look-back book, Rock & Roll Comes to Newfoundland and Labrador, to help ensure that so much of the history of Rock & Roll on the Island remains available to researchers and historians.


2.   The Jam: Monday
(Paul Weller)
Sound Affects: Polydor Records PD-1-6315
Woking, UK

Paul Weller: vocal, guitar, bass, keys
Bruce Foxton: bass, rhythm guitar, vocals
Rick Buckler: drums
Produced by The Jam & Vic Coppersmith-Heaven, 1980
Recorded by Alan Douglas at The Town House, London
The Jam’s active years were from 1972–1982

The Jam’s active years were from 1972–1982, and were one of the only punk bands who wore suits. They released 18 singles between 1977 and 82. The band launched the career of Paul Weller, who wrote and sang most of the Jam's original material. They modeled their sound after The Kinks and The Who, delving back into the Mod world and Detroit R&B.

3.   Jimi Hendrix Experience: I Don’t Live Today
(Jimi Hendrix)
Are You Experienced: Reprise Records 6261
Seattle WA / London UK

Jimi Hendrix: guitar, vocals
Mitch Mitchell: drums
Noel Redding: bass
Produced by Chas Chandler, 1967

Recorded October 23, 1966 April 4, 1967, at De Lane Lea, CBS, and Olympic Studios in London.  In honor of his Cherokee heritage, Hendrix dedicated the song to the American First Nations and other minority groups.

4.   Bad Tractor: Here Today, Gone Tomorrow
(Ramones)
Blessington: Meyers Creek Records MLRLP 0517
Belleville ON
Tim Hadley: guitar, lead vocal
Janet Mercier: vocals
Ian McKendry: electric guitar
Mike Budding: bass
Steve Fruitman: drums
Produced by Nicolas Tjelios 2018
Recorded at Big Red Button Studio, Belleville ON by Nicolas Tjelios
Mastered by Phillip Shaw Bova at Bova Lab Studio, Ottawa ON

This is a great Ramones’ song but I never liked the way they produced it: it was a little too tame. We used to play it in Bad Tractor and I liked our recording of it better, so…


5.   13th Floor Elevators: Roller Coaster
(Erickson / Sutherland / Hall)
The Psychedelic Sounds of The 13th Floor Elevators: International Artists IA-LP-1
San Francisco

Roky Erickson: vocals, guitar, harmonica
Stacy Sutherland: lead guitar
Tommy Hall: amplified jug
Ronnie Leatherman: bass
John Ike Walton: drums
Produced by Lelan Rogers, 1966
Recorded and mixed by Bob Sullivan at Sumet Sound, Dallas TX

Roger Kynard Erickson b. Dallas TX July 15, 1947 / d. May 31, 2019 Austin TX (71)

Erickson was in a band called The Spades who cut a few singles before forming the legendary 13th Floor Elevators. He tried persuading Janis Joplin to join his electronic jugband but she decided to go to San Francisco instead. In 1990 Sire Records released a tribute album where acts like Jesus and Mary Chain, ZZ Top, Julian Cope, the Butthole Surfers, Doug Sahm and Primal Scream covered his songs.

6.   Selina Martin: I Know Dullness
(Selina Martin)
Disaster Fantasies: SELMALP0008
Pakenham ON / Toronto ON

Selina Martin: vocals, guitars, bass, musical saw, wine glasses, organ
Chris Stringer: guitars, bass, synth, Wurlitzer, mini-moog, percussion
Annelise Noronha: guitars, accordion
Doug Friesen: bass, trombone
Josh Van Tassel: drums
Martin Tielli: guitar
Jack Breakfast: piano
Produced by Chris Stringer, 2010
Recorded by Chris Stringer at The Lincoln County Social Club, Toronto
Mastered by Joao Carvalho at Joao Carlvalho Mastering, Toronto

I love this album! Not a dull moment on it and I know dullness when I hear it. And although Selina Martin also understands dullness, she can sing about it without being dull at all. It’s a sharp record all the way through. Selina is a multi-instrumentalist who’s worked with members of the Rheostatics and dozens of others.

Disaster Fantasies was rated as One of the 10 best albums of the year by the Ottawa Citizen. It was also rated as one of the Globe and Mail’s picks for the Polaris Prize. The Globe also gave the album a FOUR STAR Rating.
    
7.   The British Modbeats: Frustration
(Alan Blaikley / Ken Howard)
Unreleased Demo
St. Catherines / Grimsby, ON

Fraser Loveman: vocals
Joe Colonna: bass
Robbie Jeffrey: drums
Greig Foster: guitar
Mike Gorgichuk: guitar
Produced by Stan Klees, 1967

This song was recorded for the Modbeat’s only LP, “Mod Is….” in 1967, but for some reason it failed to make the final cut. It was later mastered for a single bw “Love of the Loved", a Lennon/McCartney song that was originally recorded by The Beatles in 1963 but the band broke up and it remained unreleased. Singer Fraser Loveman formed a new band (Village STOP) and went on to front several other bands before re-uniting with the original Modbeat members and losing the “British” part of their name.


8.   McDonald & Giles: Tomorrow’s People  / Children Of Today
(Michael Giles)
McDonald & Giles: Cotillion Records SD 9042
London UK

Ian McDonald: guitar, piano, organ, saxes, flute, clarinet, zither, vocals
Michael Giles: drums, percussion, vocals
Peter Giles: bass
Produced by Ian McDonald and Michael Giles for EG Records, 1971
Recorded Island Studios, May June 1970

Michael & Peter Giles were the original rhythm section for King Crimson. In fact, they were the pre-Crimson members of ‘Giles, Giles and Fripp’. It was in GG&F that the Giles brothers were introduced to Ian McDonald who became an original member of the fledgling King Crimson  with Michael Giles and Greg Lake. After leaving King Crimson, McDonald & Giles produced this one adventurist album. Michael Giles' drum solo in "Tomorrow's People – The Children of Today" has been sampled by a number of rap and hip-hop artists, most notably the Beastie Boys, on the track "Body Movin'" from the album Hello Nasty. The song was dedicated to Tina and Mandy, Michael Giles’ children.

9.   Kent Brockwell: Jam On Gerry’s Rocks
(Trad)
Let Me Come Into Your World: Cynda Records CNS 1038
Peterborough On

Ken Brockwell: dobro, vocal
Others not listed
Produced by Bill Lewis, 1974
Recorded by Hayward Parrot at RCA Studios, Toronto

Kent Brockwell, b. & d. Peterborough, ON (1922-1998)

A Peterborough area farmer who loved the dobro, he was nearly blind and could really sing. He  played mostly at old time Jamborees, fall fairs and local dances. He was as ‘old timey’ as it gets in country music. Singing about the places he knew brought him to the attention of Stompin' Tom Connors and yet there was barely a whisper after he died. Connors asked him to perform the “North Shore Yodel” in his film, “Across This Land” in the early 70s. He released two albums on Connors’ Cynda Records label.


“Jam on Gerry’s Rocks”, is an adaptation of a traditional logging song that was first sung in Prince Edward Island and later spread to other bush camps as far west as Ontario. Brockwell’s version is very different, holding to a more countryish air rather than the more traditional folk melody.

10. Johnny & The Hurricanes: Traffic Jam
(Dave Yorko)    
The Best of Johnny & The Hurricanes: Birchmount Records – BM 565
Toledo OH

Johnny Paris: sax
Paul Tesluk: organ
Dave Yorko: guitar
Lionel "Butch" Mattice: bass
Bill "Little Bo" Savich: drums
Produced 1961

John Matthew Pocisk b. Walbridge, Ohio 1940 / d. 1 May 2006, Ann Arbor MI

Like the Ventures and The Shadows, The Hurricanes were an instrumental surf band that began as the Orbits, in Toledo, in 1957. Between 1958 and 1963, the group had a number of hits in both the US and Europe. In 1962 they played the Star-Club in Hamburg, West Germany, where The Beatles served as their opening act. The Hurricanes continued releasing records until 1987 and continued to perform until 2005.

11. Fleetwood Mac: Red Hot Jam
(Peter A Green)
Fleetwood Mac in Chicago: Blue Horizon - 9 45238-2
London, UK
Peter Green: guitar, vocal
Mick Fleetwood: drums
Buddy Guy (as Guitar Buddy): guitar
Shakey Horton: harmonica
Honey Boy Edwards: guitar
Willie Dixon: string bass
Produced by Mike Vernon & Marshall Chess, 1969
Released 1971

Peter Allen Greenbaum .b London UK 29 October 1946 / d. 25 July 2020 (73)
Canvey Island, Essex, England

Just two Fleetwoods on this track and the feel is unreal, just perfectly balanced blues. Although at first intimidated visiting Chess Studios in Chicago, once the instruments started talking there was nothing left but the blues. Every track on this double album, co-produced by the band’s English producer, Mike Vernon alongside Marshall Chess, is a standout. Although recorded in one day on the 4th of January, 1969, the album features different groupings of musicians on most tracks. It wasn’t released for public consumption (for a variety of legal reasons) until after Green left the Mac in 1971.

12. Klaatu: California Jam
(Klaatu)
3:47 E.S.T.: Daffodil Records 9216-10054
Toronto ON

John Woloschuk: Vocals, Bass & Acoustic Guitars, Keyboards
Dee Long: Guitars, Keyboards, Vocals
Terry Draper: Drums, Percussion, Vocals
Produced by Terry Brown & Klaatu, 1976
Recorded & engineered by Steve Vaughan & Terry Brown
Released: August 11, 1976

Klaatu was a Canadian progressive rock band formed in 1973 and disbanded in 1982. They released five studio albums, the most famous of which is the 1976 debut 3:47 EST (AKA Klaatu), which, due to a rumor started by a DJ, was believed by some to be a front for new work by the Beatles. The album's artwork contained no credits for the performers, and there were at times vocal similarities with Lennon and McCartney. Klaatu was named after Michael Rennie's character in the classic science fiction film The Day the Earth Stood Still (1951). Ringo Starr’s fourth solo album, Goodnight Vienna, which features Ringo on the front cover posing as the alien Klaatu.

13. The Beatles: And Your Bird Can Sing
(Lennon / McCartney)
Yesterday And Today: Capitol records of Canada T 2553
Liverpool UK

John Lennon: lead vocal, rhythm guitar, handclaps
Paul McCartney: harmony vocal, bass, lead guitar, handclaps
George Harrison: harmony vocal, lead guitar, handclaps
Ringo Starr: drums, tambourine, handclaps
Produced by George Martin, 1966
Recorded by Geoff Emerick April 26, 1966 at EMI Studios, London

In Canada we got this song on the album Yesterday and Today; most of the rest of the world got it from Revolver. John Lennon called this “another of my throwaways… fancy paper around an empty box.” It was actually written about Frank Sinatra after reading an article in Esquire Magazine which called Sinatra “the fully emancipated male…the man who can have anything he wants.” Dual lead guitars by George and Paul are really cool!

Hour Two

1.   Bruce Cockburn: Happy Good Morning Blues
(Bruce Cockburn)
High Winds White Sky: True North Records – TN 3
Ottawa ON

Bruce Cockburn: guitar, vocal, mouth trumpet
Eugene Martynec: guitar
Eric Nagler: mandolin-banjo and mandolin
Michael Craydon: marimba, tables, tree bell, boobams, Pygmy Rhythm Log
John Wyre: cymbals, gongs, salad bowls
Produced by Eugene Martynec, 1971
Henry Saskowski: Engineer at Thunder Sound Studios, Toronto
Chris Skene: Engineer at Eastern Sound, Toronto

2.   The Plastic Ono Band: Dizzy Miss Lizzy
(Larry Williams)
Live Peace from Toronto 1969: Apple / EMI / Capitol ST 12239
Liverpool UK

John Lennon: guitar, vocal
Yoko Ono: vocal
Eric Clapton: guitar
Klaus Voorman: bass
Alan White: drums
Produced by John Lennon & Yoko Ono, 1969
Recorded live at Toronto Rock & Roll Revival September 13, 1969
Released 2 December 1969

The late Kim Fowley is credited with being the inspiration behind promoter John Brower's call to John Lennon that resulted in the last-minute appearance of the Plastic Ono Band at the Toronto Rock and Roll Revival on September 13, 1969, where Fowley was the emcee. At this event, Fowley also created the iconic experience of having the audience light matches and
lighters to welcome a nervous John Lennon to the stage

3.   The Mothers of Invention: Plastic People
(Frank Zappa)
Absolutely Free: Verve V6-5013
Los Angeles CA

Frank Zappa: guitar, conductor, vocals
Jimmy Carl Black: drums, vocals
Ray Collins: vocals, tambourine
Roy Estrada: bass, vocals
Billy Mundi: drums, percussion
Don Preston: keyboards
Jim Fielder: guitar, piano
Bunk Gardner: woodwinds
Produced by Tom Wilson, 1967
Director of engineering: Val Valentin
Engineer: Ami Hadani
Remixing: David Greene
Mastering Engineer: Doug Sax

Frank Vincent Zappa b. Baltimore MD Dec 21, 1940 / d. Dec 4, 1993 (52) LA

Although Absolutely Free was the first Mothers album I listened to (I bought Freak Out a couple of weeks later), it was a stunner. I couldn’t believe what I was hearing! There was nothing else like it! And taking the piss out of The Supremes, The Beach Boys, lizard lounge music, rock-operas (and The Beatles on their next album, We’re Only In It For The Money), it was an archaic road that began with Plastic People and followed into the Duke of Prunes and Call Any Vegetable on side one. Still one of the best albums in my collection; I love it!

4.   The Temptations: Plastic Man  
(Norman Whitfield)
45 single bw Papa Was A Rolling Stone: Motown Records - Y 565X
Detroit MI

Dennis Edwards: vocals (tenor)
Damon Harris: vocals (high tenor/falsetto)
Richard Street: vocals (tenor)
Melvin Franklin: vocals (bass)
Otis Williams: vocals (tenor/baritone)
Instrumental by The Funk Brothers & The Detroit Symphony Orchestra
Earl Van Dyke: piano, organ
Johnny Griffith: organ
Robert Ward: guitar
Melvin "Wah-Wah Watson" Ragin: guitar
Joe Messina: guitar
Paul Warren: guitar
Robert White: guitar
Eddie Willis: guitar
Aaron Smith: drums
Richard "Pistol" Allen: drums
Uriel Jones: drums
Andrew Smith: drums
Leroy Taylor: bass guitar
Bob Babbitt: bass guitar
Eddie Watkins Jr: bass guitar
Eddie "Bongo" Brown: bongos, congas
Jack Ashford: tambourine, maracas, sticks
Jack Brokensha: tympani, vibes, bells, gourd
Maurice Davis: trumpet
Ted Lucas: harmonica
Produced by Norman Whitfield, 1973
Arranged and conducted by Paul Riser
Recorded by Orson Lewis

In the early 1970s, The Temptations were still the biggest thing coming out of Motown. Still producing massive hit songs, they outlived the Supremes, The Four Tops, Stevie Wonder (at the time still with Motown) and all others. Their popularity began to wane as the 70s flowered into Punk and Disco. I caught them at the Ontario Place Forum in the early 80s and they were still great!

5.   Giles, Giles & Fripp: Plastic Pennies
(Robert Fripp)
The Brondesbury Road Tapes: Vinyl Lovers Records 900693
London UK

Judy Dyble: lead vocals
Peter Giles: bass
Michael Giles: drums
Robert Fripp: guitar
Ian McDonald: flute, vocals
Produced by Giles, Giles & Fripp, 1968
Recorded by the band in their home studio, Brondesbury Road, London

Judith Aileen Dyble b. 13 February 1949 London, England / d. 12 July 2020 (71)

Judy Dyble’s (pronounced Die-bl) first band was Judy and The Folkmen (1964 - 1966). They made homemade demo recordings, none of which were ever released. She then became the original vocalist with Fairport Convention from 1967 to 1968. Fairport's early live shows in London in the late 1960s saw Dyble share stages with the likes of Jimi Hendrix and the Syd Barrett-era Pink Floyd. Dyble sang on The Incredible String Band's 1968 album ‘The Hangman's Beautiful Daughter’.  After her stint with Fairport, Dyble joined Giles, Giles and Fripp by answering an ad in Melody Maker magazine. It was thru her that they met Ian Mcdonald, who then introduced them to lyricist Pete Sinfield. Dyble sang on some of their original demo recordings made at their home on Brondesbury Road but left after her relationship with McDonald ended. By early 1969, Michael Giles and Robert Fripp – retaining the services of Ian McDonald and adding Greg Lake – would become King Crimson.

In 1973, Dyble left the music business to work with her husband, DJ Simon Stable (who played bongos for Ten Years After as Count Simon de la Bédoyère). Later on she worked as a librarian. It wasn’t until the early 2000s that she started releasing albums again, but now of her own songs. The gates opened and there was a deluge of material. I only communicated with her once and found her to be a very lovely, open person.

6.   Jefferson Airplane: Plastic Fantastic Lover
(Marty Balin)
Surrealistic Pillow: RCA Victor LMP 3766
San Francisco CA

Marty Balin: vocals, guitar
Jack Casady: bass guitar, fuzz bass, rhythm guitar
Spencer Dryden: drums, percussion
Paul Kantner: rhythm guitar, vocals
Jorma Kaukonen: lead guitar
Grace Slick: vocals, piano, organ, recorder,
Produced by Rick Jarrard, 1967
Recorded by David Hassinger at RCA Victor's Music Center, Hollywood

Surrealistic Pillow is the second album by JA, the first with Grace Slick and drummer Spencer Dryden who was recruited to replace Skip Spence (who moved over to Moby Grape). The song (last one on the album) was thought to be about a sexual device but it turned out to be about Marty Balin’s new stereo system.

In 2003, the album was ranked number 146 on Rolling Stone magazine's list of the "500 Greatest Albums of All Time."

7.   Fire Engines: Plastic Gift
(Burn / Henderson / Main / Slade)
Lubricate Your Living Room: Pop-Aurel Records ACC 001
Edinburgh, Scotland

Russell Burn: drums
David Henderson: guitar, vocals
Graham Main: bass
Murray Slade: guitar
Produced by Bob Last, 1980
Recorded 5 October 1980

8.   Plastic Cloud: Shadows Of Your Mind
(Don Brewer)
45 rpm Single: Allied Records 6357
Bay Ridge ON

Don Brewer (guitar, vocals)
Brian Madill (bass)
Michael Cadieux (guitar)
Randy Umphrey (drums)
Produced by Bill Bessy and Jack Boswell, 1968

From Bay Ridges, Ontario, this band made one of the best and most sought-after albums of the Canadian psychedelic era. All of the tracks were written by guitarist Don Brewer and it's one of the most consistently good Canadian albums of this era. There's lots of fuzz guitar on tracks like Shadows Of Your Mind. They were compared with American bands like Chocolate Watchband and the Strawberry Alarm Clock.

9.   Savoy Brown: Made Up My Mind
(Chris Youlden)
A Step Further: Parrott PAS 71029
London UK

Chris Youlden: vocals
Kim Simmonds: guitar, cowbell
Lonesome Dave Peverett: guitar
Roger Earl: drums
Tony Stevens: bass
Bob Hall: piano
Wheeler Eddie Blair: trumpets
Don Morris: sax
John Edwards: trombone
Bob Efford: sax
Don Honeywill: sax
Jawbone Willie: jawbone
Ray Davis, Bobby Haughey, Reg Morris: flugelhorn
Produced by Mike Vernon, 1969
Recorded by David Grinste

Kim Maiden Simmonds b. 5 December 1947 Newbridge, Caerphilly, Wales

Simmonds started playing blues guitar as a teen and put the Savoy Brown Blues Band together in October 1965. Now residing in The States, he’s still out there doing his thing.     

10. Left Banke: Something On My Mind
(George Cameron / Steve Martin / Mike Brown)
Walk Away Rene / Pretty Ballerina: Smash Records SRS 67088
New York City, NY

Mike Brown: harpsichord, piano
Tom Finn: bass
George Cameron: drums
Steve Martin Caro: vocals
Rick Brand: guitar
Produced by Harry Lookofsky, 1966
Released February 1967
Recorded at World United Studios & Mercury Studios, New York City between 1965-66

After the massive success of Walk Away Rene and Pretty Ballerina, the Left Banke recorded one more album (and another reformed album in 1978). After The Left Banke broke up, Tom became a successful club and party DJ.

Finn and Left Banke drummer/singer George Cameron re-formed the group with a new lineup of musicians and played a series of reunion shows in 2011 and 2012.  He was the last surviving member of the band. Of The Left Banke's "Walk Away Rene" lineup. Keyboardist Michael Brown died in March 2015, George Cameron passed away in June 2018, and lead singer Steve Martin Caro died this past January.

11. Hank Williams: You Better Keep It On Your Mind
(Hank Williams / Vic McAlpin)
45 single bw Low Down Blues: MGM Records K11675
Mount Olive, Alabama

Hank Williams: guitar, vocal
Jerry Rivers: fiddle
Don Helms: steel guitar
Chet Atkins: lead guitar
Chuck Wright or Ernie Newton: bass
Produced 1954
Recorded 1952


Hank Williams: September 17, 1923 to January 1, 1953

The second voice on the recording is speculated to be Hank Snow.

12. David Celia: Double Mind
(David Celia)
Double Mind: Seedling Music 088907212580
Toronto

David Celia: guitars, bass, vocals, various sounds
Jay Swinnerton: keys
Brenan Hanley: drums
David Headon,: bass
Tim Jackson: bg vocals
Produced by David Celia, 2015
Recorded by samuel Bates at The Ladder Factory and intro at Cameron House,Toronto
Mastered by Andy Magoffin at The House of Miracles

13. Striped Bananas: Mind Desert
(Duncan Sheppard)
EP #139/500: Rubber Plant Records 2012
Danbury CT

Duncan Sheppard: guitars, vocal
Chantelle Lussier: keys, bass, bg vocal
Devon Beuschel: drums, bg vocal
Produced by Duncan Sheppard 2012

14. King Crimson: Sailor’s Tune
(Robert Fripp)
Islands: Atlantic Records SD 7212
London

Robert Fripp: guitar, mellotron, Peter’s Pedal, harmonium
Mel Collins: flute, sax
Boz: bass
Ian Wallace: drums
Pete Sinfield: words, sounds
Keith Tippett: piano
Robin Miller: oboe
Mark Charig: cornet
Produced by King Crimson, 1971
Recorded by Andy Hendrikson at Command Studios, Piccadilly, London
Mastered by Tony Arnold

This is from the fourth King Crimson album, released in 1971. I saved a Toronto Star mini-revue of the album and stuck it on the inner cover. It reads: “This album is evidence that King Crimson has fallen apart since (Greg) Lake left the group.” Like, that was over two albums back! (Lake only played on the first album and sang on the second).

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