33.45.78 All Vinyl Radio Show
with Steve Fruitman
#346
September 21, 2020
click pic to go to Campstreams Radio Archive page
Shit!
Hear this show now!

      Hour One

1.  Robert Gordon & Link Wray: The Way I Walk – 1978
2.   George Higton: Another Road – 2019 *
3.   Cream: Sweet Wine – 1966
4.   John Lennon: Borrowed Time – 1984
5.   Ringo Starr: Sneaking Sally Through The Alley – 1977
6.   Papa John Creech: Foxy Lady – 1977 *
7.   Jimi Hendrix Experience: Gypsy Eyes – 1968
8.   April Wine: Hot On The Wheels of Love – 1978 *
9.   Big Brother & The Holding Co.: Combination of the Two – 1968
10. Donovan: Lelena - 1968
11. Dead Boys: Sonic Reducer – 1977
12. Blackie & Rodeo Kings: Live By The Song – 2017 *
13. Jay Jackson: Darling Don’t You Go – 1966 *

Hour Two

1.   The Doors: In The Eye of The Sun – 1971
2.   Men Without Hats: Antarctica – 1983 *
3.   John Borra: Off My Feet – 2020 *
4.   The Tubes: Proud To Be An American – 1976
5.   Stompin’ Tom Connors: Green, Green Grass Of Home – 1971 *
6.   Peter & The Wolves: Same Old Shit – 2016 *
7.   The Fugs: Wide Wide River – 1968
8.   The Traveling Wilburys: Dirty World – 1988
9.   Robyn Hitchcock & The Egyptians: A Globe of Frogs – 1988
10. Chalk Circle: Village – 1987 *
11. Dave Davies: Danger Zone - 1983
12. Golden Earing: Trouble & Hassles – 1975
13. The Kinks: The Way Love Used To Be - 1973
14. Jean Carignan: Reel Hydro-Quebec – 1962 *


CanCon = 41%


And Now for The Particulars:


1.   Robert Gordon & Link Wray: The Way I Walk
(Jack Scott)
Fresh Fish Special: Private Stock Records PS 7008
Bethesda MD

Robert Gordon: vocals
Link Wray: guitar
Billy Cross: guitar
Rob Stoner: bass
Howie Wyeth: drums
The Jordanaires: bg vocals
Produced by Richard Gottehrer & Robert Gordon, 1978
Recorded at Plaza Sound, NYC, Dec 1977 by Bob Freeman & Eric Block
Mastered by Greg Calbi at Sterling Sound, NYC

Robert Ira Gordon b. Bethesda, Maryland March 29, 1947

Fred Lincoln Wray, Jr. b. May 2, 1929 Dunn, North Carolina / d. November 5, 2005 (76) Copenhagen (heart failure)

Record producer Richard Gottehrer discovered Robert during a rehearsal one afternoon with the Tuff Darts and soon afterward the two were talking about making a rock and roll record. Gottehrer was impressed with Gordon's baritone voice and his rendition of Elvis Presley's "One Night". After some conversation, Robert suggested working with guitar legend Link Wray. Wray was contacted and he agreed to work with them both.

"Robert to me sounds a lot like the early Elvis, back when he was at Sun Records," Wray would comment. In 1977 Robert Gordon with Link Wray on Private Stock Records was the result of this collaboration. Due to Elvis Presley's death, the album picked up some airplay, and the label Private Stock tried to hype Gordon as the heir to Elvis. In 1978, Gordon made a second album with Wray, on the Private Stock label, called Fresh Fish Special. The record featured The Jordanaires, who had been background vocalists for Presley.

The Way I Walk was written by Canadian singer, Jack Scott who passed away at the age of 83 last December 12.

2.   George Higton: Another Road
(George Higton)
Merrylands: Builtrite Records BR007
Toronto
George Higton: lead vocals, guitar, keys, harmonica
Cleave Anderson: drums
Rachel Melas: bass, accordion
Produced by Lionel Pedro, 2019
Recorded by Lionel Pedro at Trench Recordings, Toronto

3.   Cream: Sweet Wine
(Janet Godfrey / Peter Edward Baker)
Cream Off The Top: Polydor Records 2442 110
London

Ginger Baker: drums
Eric Clapton: guitar, bg vocals
Jack Bruce: bass, lead vocal
Produced by Robert Stigwood, 1966
Compilation album produced by Shelley Snow, 1973

Janet Godfrey was the secretary of the fan club for the ‘Graham Bond Organisation’, a band that had started in 1963 with Ginger Baker on drums. Jack Bruce was the bassist in the band, and Godfrey teamed with him to write "Baby Make Love To Me" and "Baby Be Good To Me". Godfrey and Bruce were then engaged to be married when Marvin Gaye asked Bruce to join him in the US. Bruce declined because of his upcoming marriage. Due to major disagreements, Bruce and Baker fought on stage and Bruce left the GBO. He gigged with John Mayall & the Bluesbreakers for a bit and then joined Manfred Mann. Bruce made this switch so that he could purchase a home for Godfrey and himself.

During Bruce's tenure with Cream, Godfrey co-wrote two songs that were included on their debut album Fresh Cream. She wrote "Sleepy Time Time" with Bruce and "Sweet Wine" with Ginger Baker. Of the writing partnership, Bruce later remarked: "Ginger and Pete Brown were at my flat trying to work on a song but it wasn't happening. My wife Janet jumped in with Ginger and they wrote "Sweet Wine."

"Sweet Wine" has since become one of the most widely recognized songs in Cream's repertoire and has remained a fan favourite


4.   John Lennon: Borrowed Time
(John Lennon)
12” EP bw Yoko Ono’s You’re The One / Never Say Goodbye: Polygram Music PDSX 2252
NYC
John Lennon: vocals, rhythm guitar
Earl Slick, Hugh McCracken: lead guitar
Tony Levin: bass guitar
George Small: keyboards
Andy Newmark: drums
Arthur Jenkins: percussion
Produced by John Lennon & Yoko Ono, 1984
Recorded August 6, 1980

An attempt was made to formally record this song during the Double Fantasy sessions on 6 August 1980. It was the second song attempted during the sessions, with Lennon telling the band to think of the Isley Brother's "Twist and Shout" and "Spanish Twist". As he was somewhat frustrated that the band could not quite catch the reggae feel, Lennon decided to set the song aside. A horn overdub was planned, but never recorded. The song was later released incomplete and posthumously on Milk and Honey.

5.   Ringo Starr: Sneaking Sally Through The Alley
(Allan Toussaint)
Ringo The 4th: Atlantic Records KSD 19108
Liverpool
Cornel Dupree: guitar
Lon Van Eaton: guitar
Richard Tee: keys
David Foster: clavinet
Chuck Rainey: bass
Ringo Starr: lead vocals, drums
Steve Gadd: drums
Nick Marreno: percussion
Produced by Arif Mardin, 1977
Recorded and mixed by Lew Hahn at Cherokee Studios, Los Angeles; Atlantic Studios, NYC
Mastered by Dennis King

Although it’s called Ringo The 4th, the album was really his 6th solo shot. Things weren’t going well for Ringo as a solo artist and he decided on this, his fourth solo album, to go disco. Big mistake. This was the worst selling Ringo album and nearly finished him as a solo artist. Trying to recuperate, Ringo’s next album “Bad Boy” suffered an even worse fate. It took Ringo a long time trying to find his place after releasing many poorly thought of albums.

6.   Papa John Creach: Foxy Lady
(Steve Haberman)
The Cat and The Fiddle: DJM Records 9238-11
Beaver Falls, PA

John Creach: lead vocal, fiddle
Steve Haberman: keys
Brian Tilford: bass, bg vocal
Mark Leon: drums, bg vocal
Joey Brasler: guitar
Reid King: bg vocals
Doug Riley: string arrangements
Produced by Jack Richardson for Nimbus 9, 1977
Recorded by Keith Gravenhurst at Quantum Recordin, Torrance CA / Woodland Sound, Nashville / Toronto Sound, Toronto
Mastered by Cub Richardson at JAMF, Toronto

John Henry Creach b. May 28, 1917 Beaver Falls, Pennsylvania /d. February 22, 1994 (76) LA

Early in his career as a jazz violinist, he performed as a journeyman musician with such luminaries as Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton. He was asked to play with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars as well as Charlie Daniels Band and Grateful Dead. This record was his sixth solo album, mostly produced in Toronto by Jack Richardson, producer of The Guess Who. It’s considered Canadian Content as a result.

7.   Jimi Hendrix Experience: Gypsy Eyes
(Jimi Hendrix)
Electric Ladyland: Reprise Records 6307
Seattle / London
Jimi Hendrix: guitar, vocals
Mitch Mitchell: drums
Noel Redding: bass
Produced by Jimi Hendrix, 1968
Recorded at The Record Plant, NYC by Gary Kellgren & Eddy Kramer

This is one of the best examples of over-dubbing. Several guitar parts were melded together here to form one great sonic experience. This was the first time Hendrix got to produce himself and he creating, probably, his greatest masterpiece. I believe he used an 8 Track machine.

8.   April Wine: Hot On The Wheels of Love
(Goodwin / Lang)
First Glance: Aquarius Records AQR 517
Montreal
Guitar, Slide Guitar: Gary Moffet
Lead Vocals, Backing Vocals, Guitar, Keyboards: Myles Goodwyn
Lead Vocals, Backing Vocals, Guitar, Slide Guitar, Harmonica: Brian Greenway
Bass, Backing Vocals: Steve Lang
Drums, Percussion: Jerry Mercer
Produced by Myles Goodwin, 1978
Recorded by Nick Blagona at Le Studio, Quebec
Mastered by George Marino at Sterling Sound, NYC

9.   Big Brother & The Holding Co.: Combination of the Two
(S Andrew)
Cheap Thrills: Columbia Records US – KCS 9700
San Francisco
Janis Joplin: vocals
Sam Andrew: guitar, vocals
James Gurley: guitar
Peter Albin: bass
Dave Getz: drums
Produced  by John Simon, 1968
Recorded live at Bill Graham’s Fillmore Auditorium, San Francisco, March 2 – May 20, 1968

So they claim! In reality, Cheap Thrills was a studio album with dubbed in crowd noise (as well as Bill Graham’s introduction) when in reality, only the song ‘Ball and Chain’ was recorded live. It was also the swan song for Janis Joplin before she went solo. Riding on the heels of their Monterey Pop Festival success, they band wanted to go for that sound in a controlled environment. And it sounds like it. One of the few ‘fake live’ albums that worked.

10. Donovan: Laléna
(Donovan Leitch)
Donovan’s Greatest Hits: Epic Records BXN 26439
Glasgow SL
Donovan: guitar, vocal
Harold McNair: flute
Bobby Orr: drums
Danny Thompson: bass
Royal Philharmonic strings
Produced by Mickey Most, 1968

Bobby Orr on drums! Could it be?

The song was released as a single and only appeared on Donovan’s Greatest Hits album. It was inspired by by the actress Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) who was probably best known for her roll in the Bond film ‘From Russia With Love’ where she played the sadistic Rosa Klebb, trying to kick Bond to death with her knife-shoes.

The song has also been recorded by Deep Purple on their 1969 Deep Purple album. Trini Lopez recorded a cover of the song on his album The Whole Enchilada.

11. Dead Boys: Sonic Reducer
(Bators / Chrome / Zero / Blitz / Magnum / Thomas)
Young Loud and Snotty: Sire Records 9147-6038
Cleveland OH
Stiv Bators: lead vocal
Cheetah Chrome: lead guitar
Jimmy Zero: rhythm guitar
Jeff Magnum: bass
Johnny Blitz: drums
Produced by Genya Ravan 1977
Recorded by Dave Wittman at Electric Lady, NYC
Mixed by Harvey Goldberg and Jim Galante
Mastered by Ted Jensen at Sterling Sound, NYC

Dead Boys were an American punk rock band from Cleveland, Ohio, active between 1976 and 79. Dead Boys evolved out of the band Rocket From The Tombs and were originally called Frankenstein. When the band members relocated to New York City in July 1976, they became The Dead Boys.

12. Blackie & The Rodeo Kings: Live By The Song
(Fearing / Linden / Wilson)
Kings and Kings: FU:M (File Under: Music) Records FUM068
Hamilton, ON
Rodney Crowell: co-lead vocals
Stephen Fearing: acoustic guitar, lead vocals
Tom Wilson: acoustic guitar, vocals
Colin Linden: acoustic guitar, dobro, vocals
Johnny Dymond: bass
Gary Craig: drums
John Whynot: piano, Wurlitzer
Kenneth Pearson: B3 organ
Bryan Owings: shakey things
Produced by Colin Linden, 2017
Recorded by John Dymond and Colin Linden at Pinhead Recorders, Nashville TN
Mastered by Craig Calbi and Steve Falone at Sterling Sound, NYC

RIP Jay Jackson

13. Jay Jackson: Darling Don’t You Go
(Phil Gariepy)
45 single bw Anytime: Red Leaf Records TTM 614
Toronto
Jay Jackson: vocals
Produced by Jason King, 1966

Eugene “Jay” Jackson b. Toronto / d. September, 2020 Toronto

Was recruited (with older sister Shawne) by 1960s Toronto R&B band, The Majestics to be lead vocalists. Their voices blended together like only Sam & Dave’s could. They were that good. The Majestics were a Toronto staple, made for dancing. After Shawne left the band, Jay continued to front it for another decade. Their family escaped slavery in the US by moving up to Canada from the State of Deleware in the 1850s. Their great-grandfather, Albert Jackson, was the first Black postman in Toronto, working there from 1882 to 1918, the year he died.

Hour Two

1.   The Doors: In The Eye of The Sun
(The Doors)
Other Voices: Elektra Records EKS-75017
Los Angeles
Robbie Krieger: guitar, vocals
John Densmore: drums
Ray Manzarek: keys, vocals
Jack Conrad: bass
Produced by The Doors & Bruce Botnick, 1971
Recorded at the Doors Workshop
Mastered by Bob MacLeod at Artisan Sound

Ever wonder what The Doors might sound like without Jim Morrison? Wonder no more. After the singer’s death in 1971, The Doors took one last stab at recording an album and of course it was panned by the critics who thought The Doors were Jim Morrison and the other guys. It didn’t sell very well and the band dropped from sight. I was never interested in hearing it, in fact, I still wouldn’t have listened to it had I not been given a copy by Jim Roberts. I thought, ‘Oh well, let’s see what it’s like!’ And I was pleasantly surprised at how good it is. ‘In The Eye of The Sun’ is the first track on side A, vocals by Robby Krieger. Ray Manzarek provided some pretty good lead vocals on some of the other songs on the album.

2.   Men Without Hats: Antarctica
(Ivan Doroschuk)
Rhythm Of Youth: Backstreet Records BSR 5436
Montreal
Acoustic Guitar: Daniel A. Vermette
Castanets: Michel Jerome
Guitar: Colin Doroschuk
Guitar, Violin: Stefan Doroschuk
Percussion: Martin Cartier
Piano, Percussion: Allan McCarthy*
Vocals, Guitar, Percussion, Piano: Ivan*
Voice: Anne Dussault
Produced by  Marc Durand, 1983
Engineer: Dixon Van Winkle
Backstreet Records released the MWH in the states; in Canada they were on Sire Records.

I’m always a sucker for songs about Antarctica. Canadian singer/songwriter Ian Tamblyn did an entire album (only on CD) of songs about the frozen continent. Montreal’s ‘Men Without Hats’ did an excellent job of bringing us there and keeping us there, from their first album when they were still a real band with something to prove.

3.   John Borra: Off My Feet
(John Borra)
Blue Wine: Cousin Jeb Records JEB 007
Toronto
John Borra: guitar, vocal, harmonica
Michael Boguski: keys
Dani Nash: vocals
Glenn Milchem: drums
Sam Ferrera: vocals, tambourine
Produced by John Borra, 2020
Recorded by John Borra at Johnny MacLeod’s Studio, Toronto
Mixed by John Borra
Mastered by Peter J Moore at the E Room, Toronto

You see on Twitter (a lot) people asking: “Who’s the most underrated so and so?” But if I had to pick a singer/songwriter from Toronto, I would choose someone like John Borra. He just released ‘Blue Wine’ on vinyl and it’s too bad he can’t be out there performing them for you so consider buying this one for someone. It’s a really good album, a little quirky, a little edgy, and totally John Borra. Released ‘the year of the plague’. Mastered really well for vinyl.

4.   The Tubes: Proud To Be An American
(Spooner)
Young and Rich: A&M Records SP 4580
San Francisco
Bill Spooner: guitars, vocals
Waldo Waybill: vocals
Prairie Prince: percussion
Vince Welnick: keys
Rick Anderson: bass, vocals
Roger Steen: guitars, harmonica, vocals
Re Styles: vocals
Produced by Ken Scott, 1976
Recorded by Ed Thacker at A&M Studios, Hollywood
Mastered by Frank De Luna

Over 40 years have passed and songs like these just continue to be relevant. A tongue in cheek look at American logic.

(Warning: the SHIT word will be mentioned in 2 and a half of next three songs).

5.   Stompin’ Tom Connors: Green, Green Grass Of Home
(Claude "Curly" Putman Jr. / words by Tom Connors)
Live At The Horseshoe: Ole Anthem Legacy OLE94
Halton Hills, ON
Stompin’ Tom Connors: guitar, foot, vocals
Randy MacDonald: bass
Gerry Hall: guitar
Mickey Andrews: steel
Produced by Dr. Tom Connors, 1971
Reproduced and remastered by Ole, 2018
Recorded live at the Horseshoe Tavern, Toronto, June 30, 1971

Stompin’ Tom almost says it and everyone knows what he means because his entire rendition of this ‘American Song’ is about le merde. And yes, he does do a job on it. This was one of his fan’s favourites, especially during live shows. Also featured in the film ‘Across This Land with Stompin’ Tom’. But here’s the original record, ‘Live at the Horseshoe’ which has just been remastered and re-released, on yellow vinyl, by Anthem Records.

6.   Peter & The Wolves: Same Old Shit
(Pete Cormier)
CKXU 88.3 2015 Compilation: Love & Records
Calgary AB
Howlin' Pete Cormier: Piano, Guitar, Lead Vocals
Jason "Pedro" Lowe: Bass, Backup Vocals
Dillon Pates: Drums
Produced by CKXU Radio Society, 2016
Recorded live at Love and Records, 2015
Mixed by Jon Martin
Mastered by Phil Demetro at Lacquer Channel, Toronto
Compilation Manager: James Marshalsay

The Title says it all. This is from a compilation LP recorded live at the Lethbridge, Alberta festival operated by CKXU Radio. I also have the 2014 compilation. Between the two records, I’ve discovered some really cool bands. Like Howlin’ Peter and his Wolves, from Calgary. 

7.   The Fugs: Wide Wide River
(Goldbart / K Weaver)
It Crawled Into My Hand, Honest: Reprise Records 6305
NYC
Ed Sanders: vocal
Ken Weaver: vocal, drums
Tuli Kupferberg: vocal
Ken Pine: guitar, vocals
Charles Larkey: bass
Bob Mason: drums
Produced by Ed Saunders, 1968
Recorded by Richard Alderson at Impact Sound, NYC

Ken Weaver b. 1940 Galveston Island, Texas

This song is from Ken Weaver, the band’s drummer who calls out a powerful sermon of where we find ourselves these days. Except in the case of The Fugs, these days were in the late 1960s. Still we howl for social justice, accountability, for better days, for peace and security and leaders who tell us the truth. But all we end up swimming in is a river of shit. Just look behind us.
 
8.   The Traveling Wilburys: Dirty World
(Traveling Wilburys)
Volume One: Wilbury Records 92 57961
US/UK
Lucky Wilbury (Bob Dylan): guitar, leads vocals
Otis Wilbury (Jeff Lynne): guitar, vocals
Charlie JNR (Tom Petty): guitar, vocals
Nelson Wilbury (George Harrison): guitar, vocal
Lefty Wilbury (Roy Orbison): guitar, vocal
Jim Keltner: drums
Jim Horn: sax
Ray Cooper: percussion
Produced by George Harrison & Jeff Lynne,  1988
Recorded by Bill Bottrell, Don Smith, Phil McDonald, Richard Dodd at FPSHOT, Lucky Studios, Dave Stewart Studios

In early April 1988, George Harrison was in Los Angeles and needed to record a B-side for a European 12-inch single. Jeff Lynne was also in Los Angeles writing and producing some tracks for Roy Orbison on his album Mystery Girl (released posthumously), as well as Tom Petty’s first solo album, Full Moon Fever. While having dinner with Lynne and Orbison, Harrison related how he needed to record a new track and wanted to do it the next day. Harrison asked if Lynne would help, and Orbison offered his old friend his hand as well, seeing how fun it would be.

Needing a studio at short notice, Harrison called Bob Dylan, who agreed to let them use his garage studio. After dinner, Harrison stopped by Petty’s house to pick up a guitar he had left there, and invited Petty along as well. Gathering at Dylan’s Malibu home the following day, Harrison, Lynne, Orbison and Petty worked on a song that Harrison had started writing for the occasion, "Handle with Care". At first, Dylan's role was that of a host, maintaining a barbecue to feed the musicians; at Harrison's invitation, Dylan then joined them in writing lyrics for the song. The ensemble taped the track on Dylan's Ampex recording equipment, with all five sharing the vocals.

While Harrison and Petty had recent successes, Dylan, Orbison (who died of a sudden heart attack on December 6, 1988) and Lynne had not seen an album climb that high in several years. At the time, no Dylan album had ever achieved two million in sales. As one critic put it, it was "one of the great commercial coups of the decade". It also won a Grammy for Best Rock Performance by a Duo or Group. The album was also nominated for Album of the Year.


9.   Robyn Hitchcock & The Egyptians: A Globe of Frogs
(Robyn Hitchcock)
Balloon Man EP: A&M Records SP 17530
London UK
Robyn Hitchcock: guitar, vocals
Morris Windsor: drums
Peter Buck: 12 string tuitar
Andy Metcalfe: keys, bass
Produced by Hitchcock, Metcalfe, Windsor & Collier, 1988

What’s scarier? A River of Shit or a Globe of Frogs? This is from a three song 12” EP by one of my favourite songwriters. I love where he goes with his melody lines in his songs. I know where he got that from (Syd Barrett) but it’s where he goes with it that keeps my interest.

10.  Chalk Circle: Village
(Chalk Circle)
Mending Wall: Duke Street Records DSR 31035
Newcastle ON

Tad Winklarz: keys, sax, melodica
Chris Tait: guitars, vocals
Derrick Murphy: drums
Brad Hopkins: bass
Hugh Marsh: violin
Brian Leonard: percussion
Tim Hope: bongos
Rebecca Jenkins: bg vocal
Produced by Chris Wardman, 1987
Recorded at Manta Sound, Toronto, by Ron Searles

Formed in Newcastle, they were originally known in 1982 as ‘The Casualties’. Briefly changed their name to ‘The Reactors’, most likely because the live close by the Darlington Nuclear plant. Then they because ‘New Addition’ till 1984 when they changed, once again, to Chalk Circle.

11. Dave Davies: Danger Zone
(Dave Davies)
Chosen People: warner Bros Records 1-23927
London UK
Dave Davies: guitar, keys, vocals
Chris Parrin: keys
Robert Henrit: drums
Dave Wintour: bass
Produced by Dave Davies, 1983
Recorded at Konk Sound, London by Steve Churchyard
Mastered by Robert Ludwig at Masterdisk, NYC

David Russell Gordon Davies b. 3 February 1947 Fortis Green, London, England

Brother of Ray Davies, and a life-long member of The Kinks. This is from his third solo album, recorded at The Kinks’ home studio in London called Konk Sound.

12. Golden Earing: Trouble & Hassles
(G Kooymans / B Hays)
Switch: Track Records (MCA) 2139
The Hague NL
Rinus Gerritsen: bass, keyboards, guitar, harmonica
George Kooymans: guitar, vocals
Barry Hay: vocals, guitar, flute, saxophone
Cesar Zuiderwijk: drums, percussion
Rinus Gerritsen: bass, keyboards
Robert Jan Stips: synthesizer
Produced by Golden Earring, 1975
Recorded by John Kreik

Golden Earring is a Dutch rock band, founded in 1961. Their biggest hit was Radar Love in 1973. During their career they have had nearly 30 top-ten singles on the Dutch charts while releasing 25 studio albums.

13. The Kinks: The Way Love Used To Be
(Ray Davies)
Great Lost Kinks Album: Reprise MS 2127
London UK
Ray Davies: guitar, vocal
Dave Davies: guitar
Stanley Myres Orchestra
Tracks Produced by various producers
Compilation Produced 1973
Recorded 11 Oct 1970 at Morgan Studios, Willesden, London

From the sound track of the film Percy starring Elke Sommer and Britt Ekland. The film is based on a novel of the same name by Raymond Hitchcock, father of musician Robyn Hitchcock, about a man who gets a penis transplant, and is today remembered mostly for its soundtrack by  The  Kinks, more than just the penis.

Next is Reel Hydro-Quebec and it really swings.

14. Jean Carignan: Reel Hydro-Quebec
(Jean Morin aka Jean Carignan)
…Le Violoneux: London Records BM 78
Levis QC
Jean Carignan: fiddle
Others not listed
Produced 1962

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